EVENTS

The Haunt - Ithaca, NY

with Jolie Holland

Johannesburg, South Africa-born, Colorado-based singer/songwriter specializes in dusty folk and moody Americana.

Apr 18

Apr 18

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $22.50

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Born in Johannesburg, South Africa, and calling Colorado home, Gregory Alan Isakov has been traveling all his life. Songs that hone a masterful quality beyond his years tell a story of miles and landscapes, and the search for a sense of place. Music has been a stabilizing and constant force. “I’ve always had this sense about music and writing that I sort of have to do it. Like I’ll implode without it. I probably wouldn’t do it if I felt any other way.”

Water Street Music Hall - Rochester, NY

with Upon A Burning Body, Butcher Babies

Apr 19

Apr 19

Doors open at 6:00 pm Starts at 7:00 pm Ages 16+ Only

Price: $25-$30

Event Information

16+ w/ ID

Barton Hall - Ithaca, NY

with Turn to Crime

Apr 19

Apr 19

Doors open at 6:00 pm Starts at 7:00 pm All ages

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Modest Mouse was formed in 1993 in Issaquah, Washington and over the last decade has become the indie rock standard and one of the few bands capable of treading the narrow path where massive popularity is possible without sacrificing their longtime fans. The band released their first full-length album, This Is A Long Drive For Someone With Nothing To Think About, on the Up label in 1996. With the release of their second album, The Lonesome Crowded West in 1997, the band’s status reached new heights with a legion of fans and critical acclaim. In 2000, Modest Mouse was signed to Epic Records and released their third album, The Moon & Antarctica. In 2004 came the release of their breakthrough album, Good News For People Who Love Bad News, which included the hit “Float On,” has sold over 1.5 million copies and earned the band two Grammy nominations The most recent Modest Mouse album, We Were Dead Before The Ship Even Sank, was released on March 20, 2007 and immediately entered the Billboard Top 200 chart at #1. On August 4th, 2009 Modest Mouse released a special EP, No One’s First, And You’re Next. This new EP contains eight songs, six of which were released as limited edition 7” vinyl singles. Also included on the EP is ‘King Rat’ which was a limited promo-only 7” single free with the purchase of We Were Dead Before The Ship Even Sank in 2007 and ‘I’ve Got It All (Most)’ which was the b-side to the ‘Float On’ single in 2004 and is currently out of print. No One’s First, And You’re Next debuted at #15 on the Billboard Top 200 and was the #2 Digital Album. Simultaneous to the EP release, Modest Mouse released the highly anticipated Heath Ledger directed video for ‘King Rat,” a track also included on the No One’s First, And You’re Next EP.

The Dock - Ithaca, NY

Apr 23

Apr 23

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $10-$13

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Iska Dhaaf (taken from Somali, translated roughly to “let it go”) Inspired by Sufi poetry, limitation, and an obsessive preoccupation with writing, Nathan Quiroga and Benjamin Verdoes have fused their seemingly disparate musical and personal backgrounds into something searching and honest. Their songs, with heavy rhythms and cutting melodic hooks, are at once infectious and sweetly disarming.

The Club @ Water Street - Rochester, NY

with Mikaela Davis

Apr 24

Apr 24

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $12-$15

Event Information

16+ w/ ID

The Haunt - Ithaca, NY

with Barika and Second Dam

Apr 24

Apr 24

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $10-$13

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Big Mean Sound Machine formed in 2009 in Ithaca, New York with one goal: to create music that stimulates both Body AND Mind. Today, BMSM’s collective of over 15 analog artists spread out over the East Coast United States bring together musical languages of West Africa, Latin America, the Caribbean and North America to create a lush bed of rhythm and harmony that embraces even the most hardcore fans of both Traditional Funk and Avant-Garde Jazz – and everyone in between! Anyone who has witnessed Big Mean Sound Machine live knows that their performances are among the heaviest and the sweatiest. Those familiar with BMSM studio releases also knows that they can refine the complex sonic force of over a dozen individuals with maturity and clarity that allows each composition to blossom to its fullest. The Big Mean Sound Machine maintains a busy performance schedule, captivating cities all over the United States. For those like us who are tired of the status quo, there is good news: THE BIG MEAN SOUND MACHINE HAS OFFICIALLY ARRIVED. Releases: With the release of their 3rd full-length studio effort, “CONTRABAND,” Big Mean Sound Machine adds more critical acclaim to that garnered from the release of “Marauders” (2012) and “Ouroboros” (2011). Recorded live in two sessions in 19th Century churches - including Grammy Winning studio Electric Wilburland, which also served as the setting for Big Mean’s 2012 DVD, “Dr. Iguana: Live in the Studio” – Contraband pushes the band even further into uncharted territory. Working with outside engineers Matthew Sacuccimorano (Johnny Dowd, Jennie Lowe Sterns, Black Castle) and Grammy-winner Robert Hunter (Branford Marsalis, Raven) also provided a unique dynamic. Hunter’s mastery over analog technology, specifically the 1970’s-era Triton console (originally built for Elvis Costello, and frequently used by legendary Zydeco outfit Donna The Buffalo) and the 2” reel-to-reel tape machine it feeds, brings a whole new human dimension to the sound- especially on vinyl. Collaborations: In addition to studio efforts released under the name Big Mean Sound Machine, 2013 saw BMSM collaborating with Ghanaian vocalist Yao Foli “Cha Cha” Augustine, along with members of his reggae band Mosaic Foundation, under the name Cha Cha & The Ndor Band. The Ndor Band released the record “Food For Thought,” to raise funds for the Ndor EcoVillage, founded by Augustine in his home village in Ghana, which teaches permaculture and other sustainable farming practices to local farmers. In 2012, BMSM also released “Warrior,” with vocalist Jay Spaker a.k.a. J-San (John Brown’s Body, J-San & the Analogue Sons) under the name J-San & the Big Mean. The Future: In 2013, Big Mean Sound Machine materialized a new goal: to pass along the groove to the next generation of young musicians. While many of the members of BMSM teach private lessons to students ranging in age from infants to late teens, last year marked the first in what promises to be a long line of clinics put on by the Sound Machine Collective. The workshops, which are adjustable to any age-range, skill-level and experience-level, communicate to participants the concepts of Rhythm, Improvisation, and Cooperative Communication as they apply to music that draws influences from around the world. Stay tuned for samples of workshop materials, video clips, and more, coming Summer 2014! The Band is: Angelo Peters: Bass/Synths/Organs/Guitars/Percussion Andrew Klein: Drums, Cymbals, Percussion, Effects Dan Barker: Lead & Rhythm Guitars, Moog Synth, Effects Damien Scalise: Lead & Rhythm Guitars Ray Macnamara: Lead and Rhythm Guitars Kyle Oestreich: Organs, Wurlitzer Electric Piano Dana Billings: Moog Synth, Organs, Percussion Lucas Ashby: Congas, Percussion Bryan Davis: Percussion, Effects Bobby Spellman: Trumpet, Flugelhorn, Melodica Alicia Aubin: Trombone Jamie Yaman: Baritone and Tenor Saxophone Emily Pecoraro: Tenor Saxophone, Flute Remy Kunstler: Baritone Saxophone

Academy of Music - Northampton, MA

Apr 25

Apr 25

Doors open at 7:00 pm Starts at 8:00 pm All ages

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Hannibal Buress is widely known for having an “irresistible” comedic presence that lands squarely between “cerebral and swagger,” (New York Times). Buress, the 2012 winner of Comedy Central’s award for Best Club Comic, signed a deal with the network that debuted his second one hour special “Live in Chicago” in March 2014. Buress also serves as a series regular on Comedy Central’s Broad City, helmed by executive producer Amy Poehler, and appeared in the film Neighbors, alongside Seth Rogen and Zac Efron.


With talents that also include video directing (“NaNa” by Chance the Rapper), commercial acting (Nike’s Kevin Durant spot), and lending his voice to the much-anticipated game “Grand Theft Auto V”, Buress has been lauded by Rolling Stone, Entertainment Weekly, Esquire, and Variety for his stage presence and wit. As a stand-up comedian, he’s been consistently featured throughout the late-night circuit, including the Late Show with David Letterman, Late Night with Jimmy Fallon, Jimmy Kimmel Live!, and the Late Late show with Craig Ferguson. A former staff writer for both SNL and 30 Rock, Buress is the co-host of Adult Swim’s The Eric Andre Show, has guest-starred on Fox’s The Mindy Project, and appears as a regular “expert” on FX’s Totally Biased with W. Kamau Bell. In addition, his debut comedy CD, My Name Is Hannibal (2010) and his Comedy Central one-hour special, Animal Furnace (2012), were both lavished with praise, each making multiple Top 10 lists.

The Haunt - Ithaca, NY

with Mikaela Davis Trio and Imperials

Apr 25

Apr 25

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Jimkata’s innovative, fan-funded record Die Digital turned the heads of critics and musicians when it dropped in the Fall of 2012, solidifying the band’s reputation as forward-thinking artists to pay attention to. Jimkata’s refined electro-rock sound is one of a band that has found its voice after years of experimentation; It’s more indie rock than jam, and more 90′s electronica than modern day EDM; yet the five-piece appeals to each of these audiences. In the spirit of LCD Soundsystem, MGMT and Talking Heads, Jimkata’s relevant, quotable lyrics create moods not just for fleeting moments, but for the lifestyle of an entire generation. Following the release of their first live record 10 More Songs! (2013), Jimkata is poised to unveil their third studio EP and sixth official release Feel In Light on 3.4.14. Recorded with Die Digital producer Jocko Randall at his MoreSound Studios in Syracuse, NY Feel In Light represents the continued evolution of this modern rock band’s sound - one which will be simpler in essence – exploring themes of love, triumph and appreciating second chances in life. A staple of the festival circuit from the Rockies to the Atlantic, Jimkata’s 2013 schedule included heavy hitters like Gathering of The Vibes, Summer Camp, Catskill Chill and Rootwire, on top of hosting their very own inaugural festival, Katalyst. Fans can catch the band this winter on their extensive national tour taking them up and down the east coast and to Colorado.

The Dock - Ithaca, NY

Apr 30

Apr 30

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $10-$12

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Fans across America are talking about Syracuse-based Sophistafunk, the product of three multi-talented musicians — Adam Gold, Jack Brown, & Emanuel Washington — who combine spoken-word artistry, old-school hip hop, & funky rhythms to create a unique live band experience.

The band met in 2007 and rapidly evolved into a national-touring live act. Known for their HUGE sound (created by only three members), the band has won over crowds with a captivating stage presence and tight musicianship. Rooted by old school funk / hip hop, the trio explores electronic dance grooves while infusing each tune with soul and positively charged lyrics. Sophistafunk is a multi-genre tour de force, jam packed with vintage tones and live instruments.

For six years, this road warrior band has been hitting the pavement and blowing minds across the United States. They’ve collaborated live with greats spanning Bernie Worrell (Parliament/Talking Heads) to Nikki Glaspie (Beyonce/Dumpstaphunk) and were featured on Diners, Drive-Ins and Dives when Gold’s restaurant and music venue, Funk n’ Waffles, was featured on the show on December 25, 2012. Host, Guy Fieri, dug the band so hard, they’ve since played his birthday party in Santa Rosa, CA and became the first band ever to play the International Home and Housewares Convention in Chicago, IL on March 3, 2013, by Fieri’s personal request.

Sophistafunk has played high-profile venues including The Blue Note Jazz Club (NYC), The Boom Boom Room (San Francisco), The Belly Up (Aspen), Brooklyn Bowl (NYC) and more and supported acts including Soulive, G. Love, Foreigner, Trombone Shorty, Ivan Neville’s Dumpstaphunk, EOTO, Marco Benevento and more. They’ve also gained attention from publications including New York City’s Village Voice and Beyond Race Magazine.

State Theatre of Ithaca - Ithaca, NY

May 1

May 1

Doors open at 7:00 pm Starts at 8:00 pm All ages

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LYLE LOVETT A singer, composer and actor, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling, the Texas-based musician fuses elements of country, swing, jazz, folk, gospel and blues in a convention-defying manner that breaks down barriers. Lovett has appeared in 13 feature films, and on stage and television. Among his many accolades, besides the four Grammy Awards, he was given the Americana Music Association’s inaugural Trailblazer Award, and was recently named the Texas State Musician. Garden & Gun recently called Lovett “one of America’s most beloved singer/songwriters,” and he was featured in the coveted “What I’ve Learned” column in the February 2012 issue of Esquire. Lovett has been touring in support of Release Me since its release in February. The album was #1 for several weeks on the Americana charts. Produced by Nathaniel Kunkel and Lovett, Release Me represents the end of an era as it was his last record for Curb/Universal Music Group after being on the label for his entire career. Release Me is quintessential Lyle, mixing a smart collection of originals and songs written by some of his favorite songwriters that show not only the breadth of this Texas legend’s deep talents, but also the diversity of his influences, making him one of the most infectious and fascinating musicians in popular music. Since his self-titled debut in 1986, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. His oeuvre, rich and eclectic, is one of the most beloved of any living artist working today.


JOHN HIATT Over thirty-five years after the release of his debut album, John Hiatt remains one of America’s most respected and influential singer-songwriters. As the Los Angeles Times once wrote, “(Hiatt) writes the funniest sad songs – and the saddest funny songs – of just about anybody alive.” John Hiatt’s songs have been covered by artists as diverse as Bob Dylan, Bonnie Raitt (“Thing Called Love”), Buddy Guy, Emmylou Harris, Ronnie Milsap, Iggy Pop, the Neville Brothers, Rosanne Cash (the #1 country hit, “The Way We Make A Broken Heart”), the Jeff Healey Band (“Angel Eyes”), Willie Nelson, Steve Earle, Linda Ronstadt, and even the cartoon bear band of Disney’s 2002 film, The Country Bears. He earned a Grammy nomination for his album Crossing Muddy Waters, and B.B. King and Eric Clapton shared a Grammy for their album Riding With The King, the title track from which was a Hiatt composition. In 2007, John Hiatt was honored with his own star on Nashville’s Walk of Fame and his legacy was even further cemented with a pair of accolades in the fall of 2008: the Americana Music Association’s Lifetime Achievement Award for Songwriting in September, and his October induction into the Nashville Songwriters Hall of Fame. With seven solo albums already under his belt, Hiatt’s A&M debut, Bring The Family (1987), was his breakthrough. His rootsy, rock-country-blues fusion – performed with guitarist Ry Cooder, bassist Nick Lowe, and drummer Jim Keltner – was Hiatt’s first charted effort, and he was subsequently named Best Male Vocalist in Rolling Stone’s annual Critics Poll. Bonnie Raitt would later cover the album’s “Thing Called Love” on her multiplatinum smash, Nick Of Time, and fan favorites “Memphis In The Meantime” and “Have A Little Faith In Me” have been covered by artists from Joe Cocker and Delbert McClinton to Jewel. In the last few years Hiatt has released Same Old Man, The Open Road, Dirty Jeans & Mudslide Hymns and most recently Mystic Pinball all to critical acclaim as All Music Guide declares “And for a guy who has cranked out four studio albums in five years, Hiatt is having a great run as a songwriter…”

The Haunt - Ithaca, NY

May 1

May 1

Doors open at 7:00 pm Starts at 8:00 pm Ages 18+ Only

Price: $8-$10

Event Information

Mike Brindisi is not only an independent recording artist but a true power act. From Writing performing and recording his music, to Acting in film/TV, doing Standup Comedy, to performing/touring all over the United States. Brindisi remains active also by hosting his own Rock radio show on 96.7FM The Vine in Ithaca, NY.

Some of his career highlights include opening for Gavin Degraw, Headlining the NASCAR and INDYCAR races at Watkins Glen international Speedway, collaborating with Legendary Producer Eddie Kramer,being sponsored by Devil May Care Clothing, having his songs played nationally on independent radio stations, and touring markets such as Nashville, New York City, Austin and Philadelphia! He also appeared on the Howard Stern show, had his music video "Crawl" air on the National TV Station "TheCoolTV", recently starred in an independent film, appeared on Saturday Night Live, and was chosen to be a Myspace featured artist on their relaunch!

As an authentic rock artist who has paid his dues from the beginning, he has experienced the "ups and downs" of the industry. But, those experiences have prepared him for his future and opened up doors for him where they appeared closed.

Soon after high school, Brindisi was approached by a record executive who flew him to Nashville, cut a demo, and flopped his record. "I returned home with a broken heart, empty pockets and another tough lesson learned.

I moved to Ithaca, NY because it's an awesome music town (and I didn't have the money to move to NYC or LA)" Brindisi said of the experience.

In 2005 Brindisi started handing out copies of his Demo That he recorded in Nashville. There was a local radio station WBVR, who provided air time for local musicians. Brindisi handed a copy of his demo to the DJ and pleaded with him to play his song "Crawl". The DJ obliged, and the song soared! It was ranked 22 for the most requested song of the year at WBVR.

In the years to come Mike built his following from the ground up starting acoustic and eventually signing with his now manager & building his band. Since then, Mike Brindisi and the New York Rock have been Recording & touring building their fan base immensely. They released their debut album “Counting Pennies” independently in 2009 & then recorded their sophomore album, "Taste" which was released May 11th, 2013.

The single "Show You", from the latest album “Taste” is in rotation on several city radio stations and has reached #1 multiple times on Ithaca's Z95.5 (WFIZ-FM).

Additionally, the New York Rock were asked to write a song for the documentary "Passfire". The song titled "Passfire" will be released February 2014 & featured as the title track of the film in 2015.

"Many dedicated fans and new fans have described Brindisi as "Vivid, Enticing, and Addicting. His Live shows are incomparable."

"No one performs like Mike does. His voice captures you, but his soul envelops you in his relentless rock arena performance. This kid is about to catapult." Mia Tinari, Principal of MCT Entertainment.

The Haunt - Ithaca, NY

May 2

May 2

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $10-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Matuto
Brazilian carnival in the Appalachians

“The joyous, ebullient music of Matuto merges the forro folkloric music of Brazil with the sounds of all-American bluegrass. Violin, accordion and a range of Brazilian percussion give this band, founded by South Carolina native Clay Ross, a seductively cross-cultural appeal.”
— Chicago Tribune


It’s Carnival in Recife. It’s Mardi Gras in New Orleans. And watch out: That just may be the Devil spinning through the dancing crowd, trying to get friendly with the saint in disguise, with the diamond in the rough. The rolling drums and quicksilver accordion licks, the earthy vibe and thoughtful reflections mingle on Matuto’s latest refinement of their Appalachia-gone-Afro-Brazilian sound, The Devil and The Diamond (Motema Music; release: May 14, 2013).

Matuto’s songs can sway hips just as easily as spark insights. Drawing on Northeastern Brazil’s folkloric rhythms like forró, maracatu, or coco, and on deep Americana — from bluegrass to spirituals to swampy Louisiana jams — Matuto uses unexpected Pan-American sonic sympathies to craft appealing, rootsy, yet philosophical tales of love, self-discovery, nostalgia, and true peace.

“The devil is what’s keeping us from our best selves, which is the diamond we have the potential to become,” Clay Ross explains, spinning the narrative thread that ties the album’s pieces together. “That tension exists in all of us and in a loose way, this album outlines the journey we take, when we wrestle with the devil and find the diamond.”

What wide-ranging Americana and jazz guitarist Clay Ross and accordionist Rob Curto, one of the movers behind New York’s Forró For All (when not touring with folks like Lila Downs and David Krakauer) began as a curious exploration of their shared musical loves, Matuto (a Northeastern Brazilian slang term for “bumpkin”) has blossomed into a platform for expressing broad truths, ideas inspired by Buddhist sutras, personal epiphanies, and the musicians’ down-home upbringings.

Matuto are part of a broader, loosely defined movement of hard-to-define acoustic innovators, musicians savoring their own heritage as they commune across genre and cultural bounds. Hailing from different parts of the country, Ross and Curto first met in Brooklyn’s genre-defying music scene. After laying down tracks on each other’s albums, they headed to Recife together and became fast friends as they played music, listened to local ensembles, held workshops in favela community centers, and won over local fans.

Friendship and co-creation honed the original Matuto idea. They turned what could have been little more than a wacky side gig into a serious musical venture, in which seemingly disparate threads and brainstorms are woven together organically. “Our sound has really gelled,” explains Curto, “and our style has become more codified.”

Matuto can start with an unexpected arrangement of an old chestnut like Wayfaring Stranger(resulting in Diamond), or with harmonium lines from a jam session with an Indian vocalist (Tears). Inspiration may come from Brazilian Folk Music (Toca o Sino) or from Carolina childhood horseplay sessions (Horse Eat Corn).

But it all comes together, as far-flung sounds converge in coherent, seamless songs, in music leaping beyond the fun of fusion, to express a bigger artistic picture, be it a tale of thwarted desire or the challenge of tussling with inner demons.

This mix has proven to have real legs, taking the band from club dates in the Deep South to diplomacy-minded State Department tours across Eastern Europe and West Africa. A showcase in Copenhagen got the band a gig at one of the most staunchly traditional festivals in Recife, the Feast of St. John, Brazil’s biggest forró event. The traditionalists get it: Matuto has distilled the spirit of the music, even as they have blended it with other sounds, and kept its steamy, sensual dance side intact.

“Matuto does what we do out of love,” reflects Ross, “and our message is simple: Follow your passion, if it leads you to Brazil, or to Cajun, klezmer, or hip hop music, it doesn’t matter.  Follow your bliss and don’t worry.”
“We feel that way playing music together,” Curto adds. “We can just look at each other and start laughing. There’s a lot of humor and joy, even in the most serious moments.”

The Hangar Theatre - Ithaca, NY

This guitarist and singer/songwriter has long been heralded as Canada’s best-kept secret. Tickets are available online or in person at The State Theatre Box Office and McNeil Music of Ithaca.

May 3

May 3

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $35-$40

Event Information

Bruce Cockburn has always been a restless spirit. Over the course of four decades, the celebrated Canadian artist has traveled to the corners of the earth out of humanitarian concerns—often to trouble spots experiencing events that have led to some of his most memorable songs. Going up against chaos, even if it involves grave risks, can be necessary to get closer to the truth. “My mother once said that I must have a death wish, always going to what she called ‘those awful places,’” laughs Cockburn. “I don’t think of it that way. I make these trips partly because I want to see things for myself and partly out of my own sense of adventure.” Small Source of Comfort, Cockburn’s 31st album, is his latest adventurous collection of songs of romance, protest and spiritual discovery. The album, primarily acoustic yet rhythmically savvy, is rich in Cockburn’s characteristic blend of folk, blues, jazz and rock. As usual, many of the new compositions come from his travels and spending time in places like San Francisco and Brooklyn to the Canadian Forces base in Kandahar, Afghanistan, jotting down his typically detailed observations about the human experience. “Each One Lost” and “Comets of Kandahar,” one of five instrumentals on the album, stem from a trip Cockburn made to war-torn Afghanistan in 2009. The elegiac “Each One Lost” was written after Cockburn witnessed a ceremony honouring two young Canadian Forces soldiers who had been killed that day and whose coffins were being flown back to Canada. It was, recalls Cockburn, “one of the saddest and most moving scenes I’ve been privileged to witness.” “Here come the dead boys, moving slowly past the pipes and prayers and strained commanding voices,” Cockburn sings solemnly on “Each One Lost.” Over a mournful accordion, the simple chorus sums up the gravity of the hymn-like song: “each one lost is a vital part of you and me.” In contrast, one light-hearted number reflects Cockburn’s frequently underappreciated sense of humour. “Called Me Back” is a comic reflection on the frustrations of waiting for a return phone call that never comes. Meanwhile, listeners are bound to be intrigued by “Call Me Rose,” written from the point of view of disgraced former U.S. president Richard Nixon, who receives a chance at redemption after being reincarnated as a single mother living in a housing project with two children. Brooklyn-based violinist Jenny Scheinman is one of Bruce’s two female collaborators on Small Source of Comfort. Scheinman, best known for her work with Bill Frisell and Norah Jones, provides some thrilling flourishes to instrumentals like “Lois on the Autobahn” and the bluesy, gypsy-like swing of “Comets of Kandahar,” a track that Cockburn describes as “Django meets John Lee Hooker.” Produced by longtime associate Colin Linden, the album also features Annabelle Chvostek, a Montreal-based singer-songwriter with whom Cockburn wrote two songs on which they also harmonize: the introspective “Driving Away” and the driving, freewheeling “Boundless.” In addition to newcomers Scheinman and Chvostek, Small Source of Comfort includes such regular Cockburn accompanists as bassist Jon Dymond, drummer Gary Craig and producer Linden, who also plays guitar. As always, there’s a spiritual side to Cockburn’s latest collection, best reflected on the closing “Gifts,” a song written in 1968 and but recorded here for the first time, and “The Iris of the World,” which opens the album. The latter includes the humorously rueful line, “I’m good at catching rainbows, not so good at catching trout.” That admission serves as a useful metaphor for Cockburn’s approach to songwriting. “As you go through life, it’s like taking a hike alongside a river,” he explains. “Your eye catches little things that flash in the water, various stones and flotsam. I’m a bit of a packrat when it comes to saving these reflections. And, occasionally, a few of them make their way into songs.” Those songs, along with his humanitarian work, have brought Cockburn a long list of honours, including 13 Juno Awards, an induction into the Canadian Music Hall of Fame, a Governor General’s Performing Arts Award and several international awards. In 1982, he was made a Member of the Order of Canada and was promoted to Officer in 2002. Last year, the Luminato festival honoured Cockburn’s extensive songbook with a tribute concert featuring such varied guests as jazz guitarist Michael Occhipinti, folk-rapper Buck 65, country rockers Blackie and The Rodeo Kings, country-folk singers Sylvia Tyson and Amelia Curran, pop artists the Barenaked Ladies and Hawksley Workman, and folk-pop trio The Wailin’ Jennys. Never content to rest on his laurels, Cockburn keeps looking ahead. “I’d rather think about what I’m going to do next,” he once said. “My models for graceful aging are guys like John Lee Hooker and Mississippi John Hurt, who never stopped working till they dropped, as I fully expect to be doing, and just getting better as musicians and as human beings.” Small Source of Comfort, a reflection of Cockburn’s ever-expanding world of wonders, is the latest step in his creative evolution.

The Club @ Water Street - Rochester, NY

May 3

May 3

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $10-$15

Event Information

16+ w/ ID

The Haunt - Ithaca, NY

with Stone Cold Miracle and Sammus

May 8

May 8

Doors open at 9:00 pm Starts at 10:00 pm Ages 16+ Only

Price: $10-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Off the beaten path, nestled in the deep gorges of Ithaca, New York, there are whisperings of a musical revolution in the air. The streets are abuzz as the cutting edge new school hip hop sound of The Gunpoets takes the scene by storm. Heavy bass, hard hitting drums, silky smooth keys and sexy guitar licks sweep audiences away as listeners find their bodies unable to resist the explosive rhythms. Add turntables and a microphone? Well, let's just say they won’t know what hit ‘em. With partner in rhyme Jayhigh by his side, front man Rising Sun owns the stage and captivates the crowd at every twist and turn. To witness The Gunpoets in action is to see live rap music at its best! Their display of passion and energy is indeed a sight to behold. Powerful, positive, peaceful and at times political, they can work fans into a frenzy with one song and seduce them into a trance with the next. The Gunpoets seamlessly fuse hip hop with pop, rock, soul and funk to bring the world their own unique flavor. They have all the ingredients. Their recipe? Music with a message that inspires and uplifts the heart and soul. The Gunpoets have shared the stage with artists and bands such as Arrested Development, Talib Kweli, Midnite, John Brown’s Body, Donna the Buffalo, Sim Redmond Band, and many more. They recently released their highly anticipated sophomore LP, "Come With Us", an album stuffed to the rafters with catchy tunes and cleverly crafted rhymes that showcases the bands versatility and musicianship. In 2010, their debut album "Shoot the Stars" won several local music awards, as well as the hearts of fans around the world. Whether they're on the road rocking crowds or in the lab working on their latest concoctions, they're making music around the clock and loving every minute of it.

The Club @ Water Street - Rochester, NY

with Mountains

May 9

May 9

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $16.50-$20

Event Information

16+ w/ ID

The Dock - Ithaca, NY

**PLEASE NOTE THIS IS A GENERAL ADMISSION SEATED EVENT**

May 9

May 9

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $20-$25

Event Information

PLEASE NOTE THIS IS A GENERAL ADMISSION SEATED SHOW


Age policy: 16+ with ID / under 16 with a parent or guardian


 


Widely acclaimed as one of today's finest narrative songwriters, Shindell has a rare gift for using detail to illuminate his characters' motivations and actions without ever getting mired in minutiae. Not Far Now's nine new compositions (complimented by a pair of outside songs) are haunting vignettes that exist vividly beyond the song that documents them: Shindell gives the listener a window into these lives, but their story continues long after the window is shut. "Time deposits me, the character I'm writing about, and a listener there at the first line," he observes. "Then, at the end of the song, at the end of the last line, life and time go on. The song happens in between those two moments."

The Haunt - Ithaca, NY

with Amanda Lee Peers

May 9

May 9

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Sometimes epic failures produce epic results. With the release of her new album I Will Not Be Afraid, keen-eyed young singer-songwriter Caroline Rose has broken her long string of short-circuits with a live-wire national debut that draws on her roots in rockabilly, vintage country and blues to capture her unique and personal vision. Hoping to escape the dead ends that befell her hometown, colloquially dubbed a stop on “heroin highway”, Rose found her way out via a full ride to a small liberal arts college, where she failed as a scholar, barely scraping by to graduation. Next came a stint as a failed hippie, working on and leaving an organic farm. She then bought a vintage sports car to travel the country, but it quickly broke down. On the plus side, Rose got a job at a cider distillery, where she got to taste apple brandy and applejack all day…Followed by a stint stocking shelves and sweeping floors at a grocery store for a boss who eventually fired her. “That was the last straw,” Rose recounts. “I don’t like most bosses and most bosses don’t like me. I don’t like most professors and most professors don’t like me. So here I am. I’ve made my own way on my own terms and it’s destiny knocking on my door. BAM!” She describes the 11 songs on I Will Not Be Afraid as “postcards I’ve picked up from along the road,” and she means that literally. Rose is in perpetual motion. She tours and lives in her van, traveling the highways and back roads to fuel her creative spirit. Rose’s wanderlust has taken the 24-year-old from her birthplace in a not-so-idyllic small Northeastern town to every corner of the nation, where she’s made friendships, heard stories and had experiences that she’s fashioned into songs like “America Religious,” which uses a driving snare drum with brushes and psychedelic folk fiddle to underpin the cool waterfall of her peaches and molasses voice as she sings about the open skies and the storm clouds inside the American heart. And in her own. The themes of some of Rose’s songs are drawn from the familiar. “Blood On Your Bootheels,” which opens I Will Not Be Afraid with her prickly guitar and crazy-carnival organ, was inspired by the Trayvon Martin slaying and Rose’s own passionate reaction to violence and intolerance. “Everyone seems to have their opinions about how to live free in this country, especially when it comes to young men and even more especially when it comes to young black men like Trayvon,” Rose observes. Injustice and hardship also underline “Tightrope Walker,” a song inspired by a friend’s stories about working in the school system of an impoverished Mississippi town. But other songs literally haunt her dreams. The gorgeous textural arrangement and lyrics of “When You Go” — which evoke the openness of both the Southwest and of the future in Rose’s and co-producer Jer Coons’ shimmering guitars and her strong, defiant vocal performance — tumbled out during a night’s rest. “Sometimes songs come to me while I’m asleep and they wake me up, and that’s the best time for me to write,” Rose relates. “When I wake up my mind is like a clear glass of water. I can see everything and capture it.” That’s especially apt for the stream of consciousness lyrics that bring many of her numbers to life. Rose’s own life seems more akin to Jack Kerouac’s On the Road. Growing up in a coastal town, her parents — who were visual artists with a love for travel — gave Rose a restless, creative spirit. And like many working class seaside locales, her hometown suffers epidemic heroin abuse. “I saw a lot of my friends get consumed by it, but I was one of the people that got out,” Rose says. “I worked my ass off to go to college and that really was my only plan of escape at that point. I think I was in denial about being an artist.” For two of those years Rose worked on the aforementioned farm, hoping the experience would provide her with balance and direction. “I liked the work, but I’m too city to be country and too country to be city,” she offers. “So I moved on.” When Rose worked at a cider distillery, she slept in the barn loft where she recorded many of the demos for I Will Not Be Afraid with her acoustic guitar. “I finally accepted the idea that writing, singing and playing songs is the only thing I’ve ever really been good at,” Rose relates, “so I decided to forget about everything else and live in my car, and I hit the road.” Rose joined a new generation of touring songwriters who blend tradition, innovation and edginess, like Hayes Carll, whom she opened for in 2014 and bandmember Jer Coons, whom Rose shared a bill with one night and discovered to be a kindred spirit. Rose produced I Will Not Be Afraid with co-production by Coons at his Burlington, Vermont studio, where they also made Rose’s 2013 self-released America Religious, playing all the guitars, keyboards, harmonica, mandolin, drums and percussion themselves. Rose explains that the title track is her mantra. “So many people are held back by fear,” she says. “They wish they could do something else with their lives, and they just can’t take the first step. I grew up questioning everything and learned that I needed to be on my own. I needed freedom and I needed to create on my own terms and to keep moving forward without fear, wherever I go. “I also came to understand that I don’t have any choice,” she continues. “Music is what keeps me breathing. I can’t do anything else.”

The Haunt - Ithaca, NY

May 21

May 21

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


!!! (generally pronounced "chk chk chk") is a dance-punk band that formed in Sacramento, California, in 1996. The band's name was inspired by the subtitles of the movie The Gods Must Be Crazy, in which the clicking sounds of the Bushmens' Khoisan language were represented as "!". However, as the bandmembers themselves say, !!! is pronounced by repeating thrice any monosyllabic sound. Chk Chk Chk is the most common pronunciation, but they could just as easily be called Pow Pow Pow, Bam Bam Bam, Uh Uh Uh, etc.

Brewery Ommegang - Cooperstown, NY

with very special guests TV on the Radio and John Grant

May 22

May 22

Doors open at 5:00 pm Starts at 7:00 pm All ages

Price: $15-$70

Event Information

While Pixies have been acclaimed as the most influential, pioneering band of the late 80s alt/rock movement, having blazed the trail for artists from Nirvana to Radiohead to Pearl Jam, today, a whole new generation of music fans are discovering their iconic “loudquietloud” signature sound. After five genre-defining studio albums, Pixies disbanded in 1993, and then launched their reunion tour in April 2004, playing to sell-out crowds all over the globe for seven years, a longer period of time than they were a band originally. But writing, recording and releasing new music was something that the band had been wanting to do for a long time, so they secretly booked studio time in Wales for the fall of 2012. Six days into the recording, founding bassist Kim Deal decided to leave the band; Black Francis, Joey Santiago and David Lovering made the decision to carry on, working with a variety of touring bassists, something they’d never done. It's been about a year and a half since the band surprised everyone with "Bagboy" (June 28, 2013) and then, 10 months after, with Indie Cindy (April 29, 2014), their first new album in more than twenty years. Over that time period, the band also released three EPs, as well as 10 music videos, racking up nearly 5-million views. Since they kicked off their 2013 - 2015 global tour in September, 2013, the band has played 120 shows across four continents, and still have lots of touring ahead of them. As the UK’s DIY wrote about the new music, “They’re back. They’re still brilliant. God save the Pixies.”

The Haunt - Ithaca, NY

May 23

May 23

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Seattle-based five-piece rock combo Ivan & Alyosha are finally complete, having organically grown from the original duo of Tim Wilson and Ryan Carbary, adding Tim's brother Pete and Tim Kim, then drummer Cole Mauro as a full-time member for their sophomore Dualtone Records album, It's All Just Pretend, an uplifting exploration of the things that fuel their classic sound, steeped in the verities of family, faith and existential doubt. Their critically praised debut album, All the Times We Had was a perennial on several NPR tastemaker stations with an iTunes "Song of the Week" for "Running for Cover." Paste called their music "luscious, enjoyable folk-pop" and NPR Music praised their "Beatles-esque pop harmonies and sweet melodies," while Rolling Stone raved about their "smooth, soaring guitar pop" and American Songwriter said the band "achieve a polished west coast soul-folk sound that draws on the poppier sensibilities of McCartney songwriting." Ivan & Alyosha woodshedded for close to a year in making the new album in a variety of locations, from Carbary's own Seattle area condo home studio to first-album producer Chad Coplein's Black Watch Studios in Norman, Oklahoma and L.A.'s famed Sunset Sound with mixer/co-producer Joe Chiccarelli, who has worked with U2, My Morning Jacket, Elton John, The Shins, Etta James and The Strokes. The band, which originally took its name from two characters in Dostoevsky's The Brothers Karamazov, has developed into a three-headed songwriting beast, with the Wilson brothers and Carbary carrying virtually an equal load on the new album. The eclectic 11-song effort takes off with the pure adrenaline of Pete's contributions, "Something Is Wrong" and "Bury Me Deep," highlighted by jangling guitars and pointed observations about freedom and personal responsibility in today's society. "As a songwriter, I feel a huge responsibility to be honest," says Pete Wilson. "And most of the time, that honesty comes at a price of digging down deep into my own faults, frustrations, and doubts. I've tried to write the protest song where I point the finger and place the blame elsewhere, but it never works out." He adds, "The goal is to hold up the mirror to our own shortcomings, and start asking, "how do I get out of the mess I've put myself in?" Tim's "All This Wandering Around," the first single, offers a haunted Roy Orbison-like croon featuring Tim Kim's swampy delta blues guitar break wrapped around a song of the search for a power greater than oneself, and the stumbles in finding it along the way. "There has to be honesty," says Tim. "Lyrically and thematically, our songs connect with people, no matter what they believe. We hopefully provide some sort of light, whenever – and wherever – they listen to them." According to Tim, the album title (which comes from Pete's song) depicts a modern world where reality is hidden behind materialistic illusions, illustrated in songs like his "Modern Man," a funky, '80s Bowie-meets-Hall & Oates R&B number that takes aim on our fetish for technology and outward appearances. "Somewhere on the journey long ago," he sings. "You lost your place," adding that we're "drowning in the ocean of your lowered expectations." Carbary's aching, self-lacerating songs explore harsh truths about relationships and domesticity with an eye towards traditional roots rock, evoking the piano balladry of Paul McCartney ("Tears In Your Eyes"), a bluesy four-on-the-floor shuffle punctuated with poppy "Penny Lane" horns ("Oh This Love") and a country gospel lament about relationships – one with a fellow human, the other a higher spiritual power -- featuring his own twangy slide guitar ("Drifting Away"). "I've always been a sucker for a heartbreak song," admits Ryan. "I'm mostly expressing my failures as a human being, and striving to become a better person. It's true emotion." That rawness and vulnerability can be heard on Tim's "Come Rain, Come Shine," a song that evokes one of George Harrison's blissful Buddhist mantras, a glimpse of our own communal nature, that we all occupy this earth together. "We wanted to come up with something that was universal," explains Tim, who co-penned the song with Nashville songwriter Dave Berg. "We wanted to bring things into perspective, with all of the nonsense going on in America and the world, that we're all part of this global community. All may be meaningless, but there are still things in the world that are meaningful. As a band, we try to err on the light, rather than the dark, side. We admit there are things we have yet to figure out, but instead of falling into easy cynicism, or self-absorption, though, we try to dig deeper." With four of the five band members married, and two of them with kids, family is an important consideration for Ivan & Alyosha. Tim deals with the topic openly on the closing lullaby to his then two-year-old son Henry, "Don't Lose Your Love," a wise counsel from a father to his child and wife, his fingers squeaking on the fret like a literal tug on the heartstrings. For all the members of I&A, as they pursue their musical ambitions, it is important that their personal lives remain grounded. "It can be difficult when we're on the road," says Ryan. "We're very grateful to have the kind of support we do from the loved ones back home" "Family informs just about everything we do creatively," nods Tim, a devoted father and husband who manages to keep the home fires burning whether on tour or recording. "It's an inspiring thing, for sure. We're all just trying to take care of each other. Rock bands don't usually deal with topics like family and spirituality, but these subjects are universal." On It's All Just Pretend, Ivan & Alyosha continue to make timeless music that shows that rock and domestic bliss can indeed co-exist, as they overcome any obstacles by the sheer joy of their roles -- not only as performers, but brothers, husbands, fathers and sons.

Water Street Music Hall - Rochester, NY

with special guest Craig Finn

May 26

May 26

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $25-$30

Event Information

16+ w/ ID. 


Presale is Wednesday, February 11 at 10am EST. 

The Dock - Ithaca, NY

May 29

May 29

Doors open at 6:00 pm Starts at 7:00 pm Ages 16+ Only

Price: $18-$20

Event Information

This is a general admission seated event


Crystal's emotive folk-rock-country style has been catapulted from the cramped coffeehouses and cavernous subway tunnels of Chicago to millions of homes across America when she placed second Season 9 of American Idol. Along with her old soul of a voice, her care-free style and "don't mess with me" attitude set her apart from the other contestants and eventually landed the self-taught songstress performances with the like of the legendary Joe Cocker, Harry Connick, Jr., and Alanis Morrissette.

Asbury Hall at Babeville - Buffalo, NY

Jun 3

Jun 3

Doors open at 7:00 pm Starts at 8:00 pm All ages

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Hurray For The Riff Raff is Alynda Segarra, but in many ways it's much more than that: it's a young woman leaving her indelible stamp on the American folk tradition. If you're listening to her new album, 'Small Town Heroes,' odds are you're part of the riff raff, and these songs are for you.

"It's grown into this bigger idea of feeling like we really associate with the underdog," says Segarra, who came to international attention in 2012 with 'Look Out Mama.' The album earned her raves from NPR and the New York Times to Mojo and Paste, along with a breakout performance at the 2013 Newport Folk Festival, which left American Songwriter "awestruck" and solidified her place at the forefront of a new generation of young musicians celebrating and reimagining American roots music. "We really feel at home with a lot of worlds of people that don't really seem to fit together," she continues, "and we find a way to make them all hang out with our music. Whether it's the queer community or some fright train-riding kids or some older guys who love classic country, a lot of folks feel like mainstream culture isn’t directed at them. We're for those people."

Segarra, a 26-year-old of Puerto Rican descent whose slight frame belies her commanding voice, grew up in the Bronx, where she developed an early appreciation for doo-wop and Motown from the neighborhood's longtime residents. It was downtown, though, that she first felt like she found her people, traveling to the Lower East side every Saturday for punk matinees at ABC No Rio. "Those riot grrrl shows were a place where young girls could just hang out and not have to worry about feeling weird, like they didn’t belong," Segarra says of the inclusive atmosphere fostered by the musicians and outsider artists who populated the space. "It had such a good effect on me to go to those shows as a kid and feel like somebody in a band was looking out for me and wanted me to feel inspired and good about myself."

The Lower East Side also introduced her to travelers, and their stories of life on the road inspired her to strike out on her own at 17, first hitching her way to the west coast, then roaming the south before ultimately settling in New Orleans. There, she fell in with a band of fellow travelers, playing washboard and singing before eventually learning to play a banjo she'd been given in North Carolina. "It wasn't until I got to New Orleans that I realized playing music was even possible for me," she explains. "The travelers really taught me how to play and write songs, and we'd play on the street all day to make money, which is really good practice. You have to get pretty tough to do that, and you put a lot of time into it."

"The community I found in New Orleans was open and passionate. The young artists were really inspiring to me," she says. "Apathy wasn’t a part of that scene. And then the year after I first visited, Katrina happened, and I went back and saw the pain and hardship that all of the people who lived there had gone through. It made we want to straighten out my life and not wander so much. The city gave had given me an amazing gift with music, and it made me want to settle there and be a part of it and help however I could."

Many of the songs on 'Small Town Heroes' reflect that decision and her special reverence for the city. She bears witness to a wave of violence that struck the St. Roch neighborhood in the soulful "St. Roch Blues;" yearns for a night at BJ's Bar in the Bywater in "Crash on the Highway;" and sings of her home in the Lower Ninth Ward on "End of the Line." "That neighborhood and particularly the house I lived in there became the nucleus of a singer songwriter scene in New Orleans," she explains. "'End Of The Line' is my love song to that whole area and crew of people."

The scope of the album is much grander than just New Orleans, though, as Segarra mines the deep legacies and contemporizes the rich variety of musical forms of the American South for the age of Trayvon Martin and Wendy Davis. "Delia''s gone but I'm settling the score," she sings with resolute menace on "The Body Electric," a feminist reimagining of the traditional murder ballad form that calls on everything from Stagger Lee to Walt Whitman. Shejuxtaposes pure country pop with the dreams and nightmares that come with settling down with just one person in "I Know It's Wrong (But That's Alright)," while album opener "Blue Ridge Mountain" is an Appalachian nod to Maybelle Carter.

NPR has said that Hurray for the Riff Raff's music "sweeps across eras and genres with grace and grit," and that's never been more true than on 'Small Town Heroes.' These songs belong to no particular time or place, but rather to all of us. These songs are for the riff raff.

State Theatre of Ithaca - Ithaca, NY

Contender for the title of greatest blues guitarist ever, with a fiery, screechy, super-quick technique that influenced countless followers.

Jun 5

Jun 5

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

Buddy Guy is one of the most celebrated blues guitarists of his generation (and arguably the most celebrated), possessing a sound and style that embodied the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll. Guy spent much of his career as a well-regarded journeymen, cited as a modern master by contemporary blues fans but not breaking through to a larger audience, before he finally caught the brass ring in the 1990s and released a series of albums that made him one of the biggest blues acts of the day, a seasoned veteran with a modern edge. And few guitarists of any genre have enjoyed the respect of their peers as Guy has, with such giants as Eric Clapton, Jimi Hendrix, Jeff Beck, Keith Richards, Stevie Ray Vaughan, and Mark Knopfler all citing him as a personal favorite. George "Buddy" Guy was born in Lettsworth, Louisiana on July 30, 1936, and is said to have first learned to play on a homemade two-string instrument fashioned from wire and tin cans. Guy graduated to an acoustic guitar, and began soaking up the influences of blues players such as T-Bone Walker, B.B. King, and Lightnin' Hopkins; as his family relocated to Baton Rouge, Guy had the opportunity to see live performances by Lightnin' Slim (aka Otis Hicks) and Guitar Slim, whose raw, forceful sound and over the top showmanship left a serious impression on Guy. Guy started playing professionally when he became a sideman for John "Big Poppa" Tilley, where he learned to work the crowd and overcome early bouts of stage fright. In 1957, Guy cut a demo tape at a local radio station and sent a copy to Chess Records, the label that was home to such giants as Muddy Waters, Howlin' Wolf, and Etta James, shortly before buying a one-way train ticket and moving to Chicago, eager to make music his career. Hoodoo Man BluesGuy didn't enjoy immediate success in Chicago, and struggled to find gigs until his fiery guitar work and flashy stage style (which included hopping on top of bars and strutting up and down their length while soloing, thanks to a 100-foot long guitar cable) made him a regular winner in talent night contests at Windy City clubs. Guy struck up friendships with some of the city's best blues artists, including Muddy Waters, Otis Rush, Freddie King, and Magic Sam, and landed a steady gig at the 708 Club, where he became known as a talent to watch. In 1958, Magic Sam arranged for Guy to meet Harold Burrage, the owner of local blues label Cobra Records, and Guy was soon signed to Cobra's sister label Artistic Records. Willie Dixon produced Guy's debut single, "Sit and Cry (The Blues)," as well as the follow-up, "This Is the End," but in 1959, Cobra and Artistic abruptly closed up shop, and like labelmate Otis Rush, Guy found a new record deal at Chess. Guy's first single for Chess, 1960's "First Time I Met the Blues," was an artistic triumph and a modest commercial success that became one of his signature tunes, but it was also the first chapter in what would prove to be a complicated creative relationship between Guy and label co-founder Leonard Chess, who recognized his talent but didn't appreciate the louder and more expressive aspects of his guitar style. While Guy enjoyed minor successes with outstanding Chess singles such as "Stone Crazy" and "When My Left Eye Jumps," much of his work for the label was as a sideman, lending his talents to sessions for Muddy Waters, Koko Taylor, Howlin' Wolf, Little Walter, and many others. And one of Guy's definitive recordings of the '60s wasn't even issued by Chess; Guy had been performing occasionally with blues harpist Junior Wells, and Guy and his band backed up Wells on the 1965 Delmark release Hoodoo Man Blues, a masterful exercise in the Chicago blues style, with Guy credited as "Friendly Chap" on initial pressings in deference to his contract with Chess. I Left My Blues in San Francisco Chess didn't issue an album on Guy until the 1967 release of I Left My Blues in San Francisco, and when his contract with the label ran out, he promptly signed with Vanguard, who put out A Man and the Blues in 1968. As a growing number of rock fans were discovering the blues, Guy was finding his stock rising with both traditional blues enthusiasts and younger white audiences, and his recordings for Vanguard gave him more room for the tougher and more aggressive sound that was the trademark of his live shows. (It didn't hurt that Jimi Hendrix acknowledged Guy as an influence and praised his live show in interviews.) At the same time, Guy hadn't forsaken the more measured approach he used with Junior Wells; Buddy and Wells cut an album that also featured Junior Mance on piano for Blue Thumb called Buddy and the Juniors, and in 1972, Eric Clapton partnered with Ahmet Ertegun and Tom Dowd to produce the album Buddy Guy and Junior Wells Play the Blues. In 1974, Guy and Wells played the Montreux Jazz Festival, with Bill Wyman of the Rolling Stones sitting in on bass; the show was later released as a live album, Drinkin' TNT and Smokin' Dynamite, with Wyman credited as producer. Alone & Acoustic By the end of the '70s, Guy was without an American record deal, and his career took a hit as a result; while he recorded some material for specialist labels in Europe and Japan, and Alligator issued two collections in 1981, Alone and Acoustic and Stone Crazy, for the most part Guy supported himself in the '80s through extensive touring and live work, often appearing in Europe, where he seemed better respected than in the United States. Despite this, he continued to plug away at the American market, buoyed by interest from guitar buffs who had heard major stars sing his praises; in 1985, Eric Clapton told a reporter for Musician magazine, "Buddy Guy is by far and without a doubt the best guitar player alive...he really changed the course of rock & roll blues," while Vaughan declared, "Without Buddy Guy, there would be no Stevie Ray Vaughan." In 1989, Guy opened his own nightclub in Chicago, Buddy Guy's Legends, where he frequently performed and played host to other top blues acts, and in 1991, after a well-received appearance with Clapton at London's Royal Albert Hall (documented in part on the album 24 Nights), he finally scored an international record deal with the Silvertone label, distributed by BMG. Guy's first album for Silvertone, Damn Right, I've Got the Blues, featured guest appearances by Clapton, Jeff Beck, and Mark Knopfler, and featured fresh versions of several fan favorites as well as a handful of new tunes; it was the Buddy Guy album that finally clicked with record buyers, and became a genuine hit, earning Guy a gold album, as well as a Grammy Award for Best Contemporary Blues Album. Guy wasted no time cutting follow-ups, releasing Feels Like Rain in 1993 and Slippin' In in 1994, both of which racked up solid sales figures and won Guy further Grammy Awards. Last Time Around: Live at Legends In 1993, Guy reunited with Junior Wells on the stage of his Legends club; it would prove to be one of Wells' last live performances, and the show was released in 1998, several months after Wells' passing, on the album Last Time Around: Live at Legends. While most of Guy's work in the late '90s and into the new millennium was the sort of storming Chicago blues that was the basis of his reputation, he also demonstrated he was capable of exploring other avenues, channeling the hypnotic Deep Southern blues of Junior Kimbrough on 2001's Sweet Tea and covering a set of traditional blues classics on acoustic guitar for 2003's Blues Singer. In 2004, Guy won the W.C. Handy Award from the American Blues Foundation for the 23rd time, more than any other artist, while he took home his sixth Grammy Award in 2010 for the album Living Proof. Guy also received the National Medal of the Arts in 2003, and was awarded with Kennedy Center Honors in 2012. He was inducted into the Rock and Roll Hall of Fame in 2005, with both Eric Clapton and B.B. King presenting him with his award, and in 2012 he performed a special concert at the White House, where he persuaded President Barack Obama to join him at the vocal mike for a few choruses of "Sweet Home Chicago." Guy continued his late-career revival with the 2012 memoir When I Left Home: My Story and the summer 2013 release of the ambitious, guest star-laden double album Rhythm & Blues.

Water Street Music Hall - Rochester, NY

Jun 8

Jun 8

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $22-$26

Event Information

16+ w/ ID

Brewery Ommegang - Cooperstown, NY

SOLD OUT

Jun 13

Jun 13

Doors open at 5:00 pm Starts at 7:30 pm All ages

Price: $65-$85

Event Information

CAMPING IS SOLD OUT


If you put your ear to the street, you can hear the rumble of the world in motion; people going to and from work, to school, to the grocery store. You may even hear the whisper of their living rooms, their conversation, their complaints, and if you’re lucky, their laughter. If you’re almost anywhere in America, you’ll hear something different, something special, something you recognize but haven’t heard in a long time. It is the sound of a real celebration.It is not New Year’s, and it is not a political convention. It is neither a prime time game-show, nor a music video countdown, bloated with fame and sponsorship. What you are hearing is the love for a music. It is the unbridled outcry of support for a song that sings to the heart, that dances with the soul. The jubilation is in the theaters, the bars, the music clubs, the festivals. The love is for a band.The songs are honest: just chords with real voices singing real melodies. But, the heart and the energy with which they are sung, is really why people are talking, and why so many sing along. They are a reality in a world of entertainment built with smoke and mirrors, and when they play, the common man can break the mirrors and blow the smoke away, so that all that’s left behind is the unwavering beauty of the songs. That’s the commotion, that’s the celebration, and wherever The Avett Brothers are tonight, that’s what you’ll find.

Asbury Hall at Babeville - Buffalo, NY

with Gilligan Moss

Jun 16

Jun 16

Doors open at 7:00 pm Starts at 8:00 pm All ages

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Glass Animals vocalist and songwriter David Bayley draws influence for both music and artwork from his involvement in the world of medicine and neuroscience (at just 22 yrs old, he has studied both) creating a sound with it's roots spread between the electronic and live instrumentation. The result is the warm, narcotic space between a downbeat, slow-burning groove and electro-pop catchiness.

The Haunt - Ithaca, NY

Jun 18

Jun 18

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $15-$20

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


2014 was an explosive year for The Soul Rebels, riding high from touring four continents including Europe, Australia for the second year, debuting in China, selling out shows in New York City, collaborating with artists spanning from Joey Bada$$, Big Freedia, Lotus and String Cheese Incident to sharing stages with Kanye West, The Allman Brothers Band, Gary Clark Jr., John Mayer, Jack White, Dave Mathews and Disclosure. Closing out the year, The Soul Rebels returned home to record the New Orleans Jazz & Heritage Festival’s official soundtrack, quoted by the iconic festival as “Soul Rebels, the soundtrack of Jazz Fest 2015”. How do you follow up a year like that? As only The Soul Rebels can, with a jam packed plan for 2015 featuring touring, collaborations, festival appearances, recording a new album and a 3-night annual residency with special guests at New York City’s Brooklyn Bowl. The Soul Rebels started with an idea shared between founding members Derrick Moss and Lumar LeBlanc – to expand upon the pop music they loved on the radio and the New Orleans brass band tradition they grew up on. They took that tradition and blended funk and soul with elements of hip hop, jazz and rock. Together with a group of young, like-minded musicians from all over New Orleans, they formed The Soul Rebels and set out to make their mark on the music they love. The band has settled on an eight-piece lineup that can be heard on their international debut release Unlock Your Mind. The Soul Rebels built a career around an eclectic live show that harnesses the power of horns and drums in the party like atmosphere of a dance club. When not touring, The Soul Rebels’ weekly show at New Orleans’ Le Bon Temps Roulé is known to erupt with the kind of contagious, shout-along musical mayhem that The Rebels bring with them wherever they perform. On their travels, The Soul Rebels have collaborated live and played with notable artists and bands including Metallica, Green Day, Maceo Parker, Galactic, Slick Rick, Trombone Shorty, Joey Bada$$, Prodigy of Mobb Deep, Big Freedia, The String Cheese Incident, Rahzel, Styles P of The Lox, Eric Krasno, Suzanne Vega and John Medeski as well as being billed on shows with Kanye West, Snoop Dogg, Alabama Shakes, Estelle, Cee Lo Green,Arcade Fire, Ice Cube, George Clinton, Shaggy and many others. The Soul Rebels have been a mainstay at festivals all over the world, from the stages at Bonnaroo and Outside Lands, to the New Orleans Jazz & Heritage Festival, to Electric Forest and Austin City Limits, to recent festival appearances at the Bryon Bay Bluesfest in Australia, Shanghai Jazz Festival in China and the Java Jazz Festival in Jakarta, Indonesia. The Soul Rebels continue to chart new territory as they combine topnotch musicianship and songs with grooves that celebrate life in the time-honored New Orleans style. "The Soul Rebels, New Orleans' finest brass ensemble..." -VICE “The Soul Rebels are the missing link between Public Enemy and Louis Armstrong.” -VILLAGE VOICE "New Orleans’ top-shelf brass ensemble The Soul Rebels...wind-wielding wizardry of New Orleans’ finest." OKAYPLAYER "Brace yourselves folks, these men are quickly solidifying themselves amongst NOLA's proud big brass elite... and seem intent to sublimate the homogenoustones of the contemporary urban music landscape with the lush instrumentation of our culture's root." -OKAYPLAYER "The Soul Rebels are rebelling against one, albeit detestable thing: starchy paint-by-numbers music." -VIBE

The Dock - Ithaca, NY

Jun 19

Jun 19

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $12

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WE ALL WANT THE WORLD TO BE BEAUTIFUL.
We want scribes and songbirds to tell us so—and sometimes they do and then it is. They point their pens and focus their lens where they will and surprise us to our soul. On Your Own Love Again is a record that does it to us, with songs from a spine-thrilling new place and a gifted young singer with her own musical logic.


Jessica Pratt’s self-titled 2012 debut has been much-murmured about in the time between yesterday and today. People respond to the austere, pristine clarity of the performances, the gentle strength, marveling at how much comes from so little: just a voice and a guitar or two! They remark on the timeless nature of the songs and the voice, scrupulously informed by the folk-rock of ages past, but sung without bags (none in hand, nor beneath eyes). They speculate on just who is the personality behind this Jessica Pratt? It is hard not to respond to the sound of her music, not to want more right away.


Two years on, and Jessica’s very new On Your Own Love Again is here for us, playing her further adventures in different pastures. If they feel removed from the first songs, it may help to know that the recordings of the first album were made some years back with no expectation of making an album. They sat quiet on the shelf for a long time, appearing on the internet eventually. It all seemed harmless, but when Birth Records honcho Tim Presley rolled up in his long white limousine
and began to spin tales of folk rock glory, who was she to say no? Sure, Mr. Presley, fence me a record!


The nice part about learning that people dig your sound is that it gives you the chance to think of what else you’d do. After deep consideration, Jessica found new songs within her and an urgency to make another record, marked with a strong sense for rendering it exactly the way she heard it in her head, spending time with her tunes and crafting the smallest details. In this way, she truly was able to inhabit her own skin as a singer of her songs — and make On Your Own Love Again the first Jessica Pratt album constructed to be an album.


What makes On Your Own Love Again new? Everything, and yet everything woven so subtly into the presentation leaves you unaware that you have been modulated upon. The album was recorded entirely by Jessica in the fashion of “Night Faces” and “Dreams,” from her first album, and mixed in collaboration with Will Canzoneri. Touched lightly with additional instrumental and vocal parts, the songs ripple beneath the surface with lyrical details that morph almost subliminally from the personal
into fantasy. When Jessica’s playful nature bubbles up, she sends her voice traveling into strange places to see what it finds there. The music too is deceptively accomplished, providing subtle hallucinatory
nuances to the tunes. The orchestral organ stop working in the shadows of “Wrong Hand,” the reverberant percussion floating through “Game That I Play,” the clavinet panned out on the side in “Moon Dude,” Jessica’s sudden vocal dip into her lower register on “Greycedes”— all pull at the ears, highlighting her unique pop sensibilities with craft and humor, giving the album’s inherent romance a greater heft. Perhaps most significantly, On Your Own Love Again was recorded at home — at places in Los Angeles and San Francisco, over the past two years. This process sands the surface of her more active multi-tracking approach, allowing a sound as delicate and singular as her former recordings. On Your Own Love Again Jessica is fully alive in a space all her own; with isolation in the breeze, the sound resonant in the natural light and a gauze of clouds in the sky, under which she can relax, unwind and let herself be.


That’s everything we want from Jessica Pratt — On Your Own Love Again.

Academy of Music - Northampton, MA

Jun 21

Jun 21

Doors open at 7:00 pm Starts at 8:00 pm All ages

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Phish bassist Mike Gordon returns to the road on the heels of 2014's Overstep, his fourth studio album. The band's new repertoire will be augmented by secret synesthetic mad scientist gadgetry on and around the stage.

Most artists have a fixed ritual or routine that they rely on to inspire their efforts from concept to fruition. Gordon tends to establish general goals, and then eschew routines for creative experiments. One of his goals for his latest album was to trust himself to relinquish control, which he accomplished by sharing songwriting duties and by handing over the producing reins for the first time in his solo career to Paul Q. Kolderie (Radiohead, Uncle Tupelo, Pixies).

The result is a diverse but tightly knit family of sturdy rock numbers that manages to sound grounded but sophisticated at the same time, and raw but carefully considered. Gordon draws inspiration from an astonishing variety of sources, from the natural world to the emotional world to his often persistent visions. Like Gordon himself, the album is full of contradictions, juxtapositions, and surprises - which is exactly what his fans expect.

The Smith Opera House - Geneva , NY

Jun 27

Jun 27

Doors open at 7:00 pm Starts at 8:00 pm All ages

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Legendary singer-songwriter and social justice activist David Crosby is a two time Rock and Roll Hall of Famer, inducted as a member of both the iconic folk-rock band The Byrds — with whom he first rose to stardom — and the iconic Woodstock era-defining group Crosby, Stills & Nash. A native Californian-and son of an Academy Award-winning cinematographer-Crosby originally intended to be an actor when he moved from Santa Barbara to Los Angeles in 1960. Music prevailed, however, and Crosby began his career as a folksinger, playing clubs and coffeehouses nationwide. Back in L.A. in '63, Crosby formed The Byrds with Roger McGuinn, Chris Hillman, Gene Clark and Michael Clarke, winning widespread recognition for his songwriting and charismatic presence. Driven by hits including "Eight Miles High," "Turn! Turn! Turn!," and a cover of Dylan's "Mr. Tambourine Man," The Byrds' signature electric folk-rock influenced countless musicians to come. Crosby left The Byrds in 1967 to embark on a lifelong collaboration with Graham Nash and Stephen Stills. Renowned for vocal harmonies, stellar musicianship and timeless songs, Crosby, Stills, & Nash (CSN) have been called "the voice of a generation," and were GRAMMY-honored in 1969 as Best New Artist. The trio's self-titled debut album introduced classics including the Crosby-penned tracks "Guinnevere" and "Wooden Ships"—today, it is included on Rolling Stone's list of the 500 Greatest Albums of All Time. Crosby continues to tour and record with CSN, as well as with Crosby, Stills, Nash & Young, and as a duo with Graham Nash. As a solo artist, Crosby debuted with the 1971 masterpiece If Only I Could Remember My Name, recently reissued as a two-disc set featuring a 5.1 mix, video footage, and other bonuses. David Crosby also performs and records with CPR, the jazz-flavored trio he formed in 1995 with his son James Raymond and Jeff Pevar. Crosby's most recent release is 2004's Crosby-Nash, a 2-CD set with Graham Nash, their first as a duo since 1976's Whistling Down The Wire. Their debut LP together, '72's Crosby & Nash-featuring "Southbound Train" and "Immigration Man"-is regarded as one of the best side projects from the CSN&Y sphere. Their catalogue also includes 1975's Wind On The Water and the live gem Another Stoney Evening. Previously a CD-only release of a 1971 concert recording, the latter title is now available in digital and LP versions as the inaugural releases on Blue Castle Records, the independent label Crosby formed with Nash in 2011. Voyage, a 3-disc, career-spanning retrospective box set touching on all aspects of Crosby's oeuvre, was released in 2006. Crosby is also the author of three books including Stand and Be Counted: Making Music, Making History/The Dramatic Story of the Artists and Causes That Changed America, which underscores his commitment to social activism, and belief that artists and musicians are potent agents for change. Crosby's two autobiographical volumes are Long Time Gone and Since Then: How I Survived Everything And Lived To Tell About It. The latter, per Entertainment Weekly, chronicles, "A fascinating life worthy of a sequel."

Brewery Ommegang - Cooperstown, NY

with Sturgill Simpson

Jul 24

Jul 24

Doors open at 5:00 pm Starts at 7:00 pm All ages

Price: $15-$40

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On September 17th, 2013 Old Crow Medicine Show received the great honor of being inducted as the newest members of the historic Grand Ole Opry. Other highlights from the year included winning the Grammy Award for "Best Long Form Music Video" for the film Big Easy Express, and having their classic single, "Wagon Wheel", receive the RIAA's Platinum certification for selling over 1,000,000 copies. The band got its' start busking on street corners in New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He immediately invited the band to play at his MerleFest, helping to launch their career. Shortly thereafter the band relocated to Nashville for a residency at the Grand Ole Opry, where they entertained the crowd between shows. It's been nearly fifteen years since these humble beginnings, and the band has gone on to tour the world, sell over 800,000 albums, become frequent guests on A Prairie Home Companion, and play renowned festivals like Bonnaroo, Coachella, and the Newport Folk Festival. In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford and Sons, and Edward Sharpe and the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America's vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express. Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records - O.C.M.S and Big Iron World produced by David Rawlings, and Tennessee Pusher produced by Don Was. In 2012 Old Crow released Carry Me Back, on which they continued to craft classic American roots music while pushing themselves in new directions. The band's newest album, Remedy, released by ATO Records and produced by Ted Hutt represents a new stretch of road in the timeless journey of a rambling string band.

Brewery Ommegang - Cooperstown, NY

with Lucius

Jul 26

Jul 26

Doors open at 5:00 pm Starts at 7:00 pm All ages

Price: $15-$41

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THE DECEMBERISTS


WHAT A TERRIBLE WORLD, WHAT A BEAUTIFUL WORLD


CAPITOL


“In some ways, this album was four years in the making,” says Colin Meloy, frontman and primary songwriter of the Decemberists. “We were on hiatus, so we had all the time we could want, no schedule or tour, no expectations.”With the ability to work at their own pace, the resulting record, What a Terrible World, What a Beautiful World, is the band’s most varied and dynamic work, both musically and emotionally. Since their earliest recordings more than a decade ago, the Decemberists have always been known for their sense of scope and daring—from “The Tain,” an eighteen-and-a-half minute 2004 single based on an Irish myth to their last two ambitious, thematic albums, The Hazards of Love and The King is Dead. This time, though, Meloy explains that they took a different approach: “Let’s make sure the songs are good, and eventually the record will present itself.” The Decemberists—Meloy, Chris Funk (guitars), Jenny Conlee (keyboards), Nate Query (bass), and John Moen (drums)—had announced that they would be taking a break when their touring cycle finished following the release of 2011’s The King is Dead. Meloy wanted to spend time with his family and work on the children’s book series that became the acclaimed, best-selling Wildwood trilogy. To be sure, they had reached a new peak in their career: King entered the Billboard album charts at Number One, and the track “Down by the Water” was nominated for a Grammy in the “Best Rock Song” category.Even during the hiatus, the group remained visible: they released an EP of outtakes from the album titled Long Live the King; contributed the song “One Engine” to the Hunger Games soundtrack; and put out We All Raise Our Voices to the Air, a live album documenting their ferocious intensity on stage. They even had the honor of appearing in animated form on The Simpsons, and performed on the season six finale of Parks and Recreation.Mostly, however, Meloy was concentrating on the Wildwood series—the 1,500-page saga of two seventh-graders who are drawn into a hidden, magical forest,illustrated by his wife, Carson Ellis. So when the band reassembled in May 2013, the plan wasn’t to make an album in their usual way.“Typically we book four or five weeks in the studio and bang out the whole record,” says Meloy. “This time, we started by just booking three days, and didn’tknow what we would record. There was no direction or focus; we wanted to just see what would come out. We recorded ‘Lake Song’ on the first day, live, and then two more songs in those three days. And the spirit of that session informed everything that came after.” They reconvened in the fall and added some more songs. Gradually, over the course of a year and a half, the album came into focus. What was initially apparent was a fuller, richer sound. “There was a grandiosity to the songs in different ways,” says Meloy, citing Leonard Cohen’s 1977 collaboration with Phil Spector, Death of a Ladies’ Man, as a reference point. “We were layeringtextures, adding strings and dedicated backing vocals—the early songs created the peaks of the record, and that started to dictate the overall tone and tenor.”The first batch of songs, Meloy notes, represented the more personal side of his songwriting, a change from the strong narrative thrust that characterized much of the Decemberists’ work. “Writing books as this raw, fantastic narrator has been the outlet for that part of my brain,” he says. “Having a family, having kids, having this career, getting older—all of these things have made me look more inward. So some of these songs are among the more intimately personal songs I’ve ever written.”Perhaps most notable is “12-17-12,” a song named for, and inspired by, the date that President Obama addressed the nation following the Newtown school shootings, and read the names of the victims. “I watched that speech and was profoundly moved,” says Meloy. “I was hit by a sense of helplessness, but also the message of ‘Hold your family close,’ and this was my way of marking that for myself.” This bewildering, conflicted feeling came out in a phrase near the end of the song—“what a terrible world, what a beautiful world”—that gave the album its title.As the sessions continued, other elements of the writing and the sound surfaced and a more rounded picture emerged. “As soon as I finished the books, I immediately started writing more narrative songs,” Meloy says. “‘Cavalry Captain,’ ‘Carolina Low,’ those all started coming out. But there was a more subtle voice coming in; I wanted moments of levity, a little tongue-in-cheek. Also, we figured out that the big, pop sound we were making would also make the quieter moments more still, create more dynamic peaks and valleys.”Without a deadline, the Decemberists were also able to explore every song to completion. “Usually you have to let some songs slide because of time constraints,” Meloy says, “but nothing was relegated to the b-side pile, everything was given a fair shake. Which is a blessing and a curse—we ended up with 18 songs, and each had champions and detractors. There were a multitude of albums you could potentially make—somber, over-the-top pop, folk—and I think every band member would have created a different record.”Ultimately, What a Terrible World, What a Beautiful World found its final form, a distillation of the best things about this remarkable band. A new way of working led to a renewed excitement about the next chapter for the Decemberists. “I’ve never lived with a record for so long,” says Colin Meloy, “documenting my shifts and changes as a songwriter, with a real sense of time passing. And there’s something very freeing about working on music with absolutely no agenda, and just letting the songs become themselves.”

Water Street Music Hall - Rochester, NY

Jul 29

Jul 29

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $29-$75

Event Information

16+ w/ ID


 


VIP Soundcheck Party Early Entry. 


Soundcheck Party will start 90 minutes before doors at 5:30 pm and will last approx 45 min.  Please arrive 30 minutes prior. 


 


"Dweezil Zappa Guitar Masterclass- Dweezilla On The Road"


For The price of a fuzz pedal, learn techniques from the son of Frank Zappa


Dweezil Zappa's music camp Dweezilla has a motto "Learn And Destroy." It refers to destroying the boundaries that confine music creativity. At camp students are in total immersion for 4 days of music instruction. While on tour with Zappa Plays Zappa Dweezil will be previewing some of the guitar concepts he teaches at camp in a special event prior to each concert.

"I transformed my guitar technique before starting Zappa Plays Zappa out of necessity to play my dad's most sophisticated and challenging melodies. I've found a lot of exciting new approaches to the guitar. started Dweezilla music camp as a way to share this information with guitarists. I'm excited to present an opportunity to share thoughts on my approach to guitar with students of all levels before each show on tour."


MasterClass begins at 2:00 pm. Bring your guitars and arrive 30 minutes before the class begins

Brewery Ommegang - Cooperstown, NY

Aug 1

Aug 1

Doors open at 4:00 pm Starts at 7:00 pm All ages

Price: $15-$80.50

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With the release of her nineteenth album, Slipstream, Bonnie Raitt is starting anew. The album marks her return to studio recording after seven years; it's coming out as the launch of her own label, Redwing Records; and it delivers some of the most surprising and rewarding music of her remarkable career, thanks in part to some experimental sessions with celebrated producer Joe Henry. The years before and after Raitt's last album, 2005's acclaimed Souls Alike, weren't an easy time for her, with the passing of parents, her brother, and a best friend. So after following that album with her usual long run of touring—winding up with the "dream come true" of the "BonTaj Roulet" revue with Taj Mahal in 2009 and a triumphant appearance at the all-star Rock and Roll Hall of Fame 25th anniversary concerts the same year— she decided to step back and recharge for a while. "I took a hiatus from touring and recording to get back in touch with the other part of my life," she says. "On the road, under stress, it's hard to stay in balance and move forward." Excited to have time at home and with her family and friends, she could go to the symphony, check out live jazz and Cuban shows, and so much else. She continued her ongoing political work, helping to organize NukeFree.org in 2007 and supporting her favorite non-profit organizations. "I didn't have to be the professional version of myself for a long time," she says. "It wasn't so much a vacation as a chance to take care of a lot of neglected areas of my life, a lot of processing after all that loss and activity." When she started thinking about making music again, Bonnie knew she needed to try something out of the ordinary. "I was really interested in working with different people, and someone I had always been drawn to was Joe Henry," she says. "I'm a big fan of his writing and albums and love the work he's done producing Allen Toussaint, Solomon Burke, and others. I thought it would be really intriguing to see what we could come up with. Coincidentally, he had been wanting to call me as well. Our first phone call lasted over two hours." They found a brief window when Henry's usual crew of musicians was available, augmented by a new friend of Bonnie's, the magnificent guitarist Bill Frisell. "I didn't have to produce or get the band together, I could just show up and sing," she says. "I came to Joe's with, to use a Zen expression, 'beginner's mind.'" The experiment yielded eight songs in 48 hours, and Raitt was inspired to get back to work full force. "I loved singing these songs and playing with these guys so much," she says, "This was just the jumpstart I needed to get me back in the saddle and wanting to work on a new album." She plans to release the full results of the Joe Henry sessions down the line, but for now she chose to include four of these tracks on Slipstream —the Henry originals "You Can't Fail Me Now" (co-written with Loudon Wainwright III) and "God Only Knows," and two songs from Bob Dylan's Time Out of Mind album, "Million Miles" and "Standing in the Doorway." A few months later, Raitt gathered her long-time touring bandmates—George Marinelli on guitar, James "Hutch" Hutchinson on bass, and Ricky Fataar on drums—along with a new addition and an old friend on keys, Mike Finnigan (Taj Mahal; Joe Cocker; Crosby, Stills and Nash) in a Los Angeles studio. Bonnie was also pleased to have Maia Sharp, one of her favorite artists and a collaborator on Souls Alike, joining her team once again, adding back-up vocals to several songs. Raitt retained Henry's engineer, Ryan Freeland (Ray LaMontagne, Ramblin' Jack Elliot, Aimee Mann), whom she loved working with, as a way to unify the project's sound. The band went straight to work and quickly recorded a slew of songs Raitt had been collecting over the last few years. Where Raitt's last several albums concentrated on material from lesser-known and younger songwriters, Slipstream draws from more of her contemporaries, including Paul Brady and Michael O'Keefe's "Marriage Made in Hollywood" and a reggae-fied version of Gerry Rafferty's "Right Down the Line." Her longtime friend Al Anderson, formerly of NRBQ, contributes three songs and plays on four; his hard-bopping guitar work adds to the general sense of six-string gunslinging throughout the album. "One of the new things about this record is that we let the guitar jams go on for a while," says Raitt. George and I got into some rockin' back and forth like we do live, and I had a ball going head-to-head with Al Anderson, one of my all-time favorite guitarists, on his 'Split Decision.' More than just a best-selling artist, respected guitarist, expressive singer, and accomplished songwriter, Bonnie Raitt has become an institution in American music. Born to a musical family, the nine-time Grammy winner, who Rolling Stone named one of the "100 Greatest Singers of All Time," is the daughter of celebrated Broadway singer John Raitt (Carousel, Oklahoma!, The Pajama Game) and accomplished pianist/singer Marge Goddard. She was raised in Los Angeles in a climate of respect for the arts, Quaker traditions, and a commitment to social activism. A Stella guitar given to her as a Christmas present launched Bonnie on her creative journey at the age of eight. While growing up, though passionate about music from the start, she never considered that it would play a greater role than as one of her many growing interests. In the late '60s, restless in Los Angeles, she moved east to Cambridge, Massachusetts. As a Harvard/Radcliffe student majoring in Social Relations and African Studies, she attended classes and immersed herself in the city's turbulent cultural and political activities. "I couldn't wait to get back to where there were folkies and the antiwar and civil rights movements," she says. "There were so many great music and political scenes going on in the late '60s in Cambridge." Also, she adds, with a laugh, "the ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind." Raitt was already deeply involved with folk music and the blues at that time. Exposure to the album Blues at Newport 1963 at age 14 had kindled her interest in blues and slide guitar, and between classes at Harvard she explored these and other styles in local coffeehouse gigs. Three years after entering college, Bonnie left to commit herself full-time to music, and shortly afterward found herself opening for surviving giants of the blues. From Mississippi Fred McDowell, Sippie Wallace, Son House, Muddy Waters, and John Lee Hooker she learned first-hand lessons of life as well as invaluable techniques of performance. "I'm certain that it was an incredible gift for me to not only be friends with some of the greatest blues people who've ever lived, but to learn how they played, how they sang, how they lived their lives, ran their marriages, and talked to their kids," she says. "I was especially lucky as so many of them are no longer with us." Word spread quickly of the young red-haired blueswoman, her soulful, unaffected way of singing, and her uncanny insights into blues guitar. Warner Bros. tracked her down, signed her up, and in 1971 released her debut album, Bonnie Raitt. Her interpretations of classic blues by Robert Johnson and Sippie Wallace made a powerful critical impression, but the presence of intriguing tunes by contemporary songwriters, as well as several examples of her own writing, indicated that this artist would not be restricted to any one pigeonhole or style. Over the next seven years she would record six albums. Give It Up, Takin' My Time, Streetlights, and Home Plate were followed in 1977 by Sweet Forgiveness, which featured her first hit single, a gritty Memphis/R&B arrangement of Del Shannon's "Runaway." Three Grammy nominations followed in the 1980s, as she released The Glow, Green Light, and Nine Lives. A compilation of highlights from these Warner Bros. albums (plus two previously unreleased live duets) was released as The Bonnie Raitt Collection in 1990. All of these Warners albums have been digitally remastered and re-released. In between sessions, when not burning highways on tour with her band, she devoted herself to playing benefits and speaking out in support of an array of worthy causes, campaigning to stop the war in Central America; participating in the Sun City anti-apartheid project; performing at the historic 1980 No Nukes concerts at Madison Square Garden; co-founding MUSE (Musicians United for Safe Energy); and working for environmental protection and for the rights of women and Native Americans. After forging an alliance with Capitol Records in 1989, Bonnie achieved new levels of popular and critical acclaim. She won four Grammy Awards in 1990—three for her Nick of Time album and one for her duet with John Lee Hooker on his breakthrough album, The Healer. Within weeks, Nick of Time shot to number one (it is now certified quintuple platinum). Luck of the Draw (1991, seven-times platinum) brought even more success, firing two hit singles— "Something to Talk About" and "I Can't Make You Love Me" —up the charts, and adding three more Grammys to her shelf. The double-platinum Longing in Their Hearts, released in 1994, featured the hit single "Love Sneakin' Up On You" and was honored with a Grammy for Best Pop Album. It was followed in 1995 by the live double CD and film Road Tested (now available on DVD). After all the awards and honors and decades of virtually non-stop touring under her belt, Bonnie continued her activism and guesting on numerous friends' records, including Ruth Brown, Charles Brown, Keb' Mo, Ladysmith Black Mambazo, and Bruce Cockburn, as well as tribute records for Richard Thompson, Lowell George, and Pete Seeger. She picked up another Grammy in 1996 for Best Rock Instrumental Performance for her collaboration on "SRV Shuffle" from the all-star Tribute to Stevie Ray Vaughan, and continued her "dual career," performing with her father, John, in concerts as well as on his Grammy-nominated album, Broadway Legend, released in 1995. In 1998, she returned to the studio with a new collaborative team to create Fundamental, one of her most exploratory projects, signaling her growing desire to "shake things up a bit." Inspired by the music of Zimbabwean world-beat master Oliver Mtukudzi, Bonnie wrote "One Belief Away," the first single, with Paul Brady and Dillon O'Brian. In March of 2000, Bonnie was inducted into the Rock and Roll Hall of Fame; this was followed by her welcome into the Hollywood Bowl Hall of Fame, along with her father, in June 2001. Over the years, Bonnie has appeared as a guest on over 100 album projects, as chronicled in the discography section of her official website. She continues to stretch the boundaries, performing with artists as varied as Cape Verdean singer Cesaria Evora, and legends B.B.King, Tony Bennett, and Willie Nelson. After the Fundamental tour, she went back into the studio with her veteran road band to record Silver Lining, released in 2002. Featuring Bonnie'sstunning interpretation of the David Gray-penned title track, the Grammy-nominated "Gnawin' On It," and the hit single "I Can't Help You Now,"Silver Lining was considered by many critics to be one of the best albums of her career. She promoted the album with a lengthy world tour that included her Green Highway Festival and an eco-partnership promoting BioDiesel fuel, the environment, and alternative energy solutions at shows and benefits along the way. In 2003, she released the retrospective The Best of Bonnie Raitt on Capitol. Raitt stayed busy with more guest appearances, including the stunning duet "Do I Ever Cross Your Mind" on Ray Charles' final release, Genius Loves Company, which won the Grammy award for Album of the Year, and a duet on the Grammy-winning album True Love by Toots & The Maytals. Her 1989 breakthrough album, Nick of Time, was remixed for surround sound, and released by Capitol Records in 2004 as a DVD-Audio, garnering a Grammy nomination in the newly created category, Best Surround Sound Album. In 2003, she also participated in Martin Scorsese's acclaimed PBS series, The Blues, performing two songs in Wim Wenders' film, The Soul of a Man, and joining the all-star cast of Lightning in a Bottle, the live feature concert film on the Blues directed by Antoine Fuqua. She also contributed songs for two Disney movies, The Country Bears and Home on the Range. She played guitar on a track on Stevie Wonder's album, A Time To Love, and appeared in the TV/DVD tribute, Music l0l: Al Green. Souls Alike, her first album ever to bear the credit "Produced by Bonnie Raitt." debuted at #19 on the Billboard 200 in September 2005, eliciting widespread critical acclaim and propelling Raitt back onto the road. She was also selected as the inaugural artist for the VH1 Classic Decades Rock Live! CD/DVD series. Bonnie Raitt and Friends Featuring Norah Jones, Ben Harper, Alison Krauss and Keb'Mo' was released in August of 2006. In the years in and around the release of Souls Alike, she co-headlined with Jackson Browne and Keb Mo' part of the historic "Vote For Change" tour leading up to the 2004 Presidential election, and then again for the 2008 election, staged a series of benefit concerts and fundraising receptions to help get out the vote and encourage voting in key Democratic Senate races. In 2007, Bonnie joined her MUSE (Musicians United for Safe Energy) friends Jackson Browne and Graham Nash to launch a campaign to prevent the legislative bailout of the nuclear industry and developed www.nukefree.org, a website that serves as an information and networking hub for safe energy activists. In August 2011, MUSE mounted a very successful benefit concert at Shoreline Amphitheatre to raise funds for Japan disaster relief (following the devastating earthquake, tsunami and meltdown of the Daichi-Fukushima nuclear reactors earlier in the year,) as well as non-nuclear organizations worldwide. Bonnie continues to use her influence to affect the way music is perceived and appreciated in the world. In 1988, she co-founded the Rhythm and Blues Foundation, which works to improve royalties, financial conditions, and recognition for a whole generation of R&B pioneers to whom she feels we owe so much. In 1995, she initiated the Bonnie Raitt Guitar Project with the Boys and Girls Clubs of America, currently running in 200 clubs around the world, to encourage underprivileged youth to play music as budgets for music instruction in the schools run dry. Bonnie currently sits on the Advisory or Honorary Boards of a number of organizations, including Little Kids Rock, Rainforest Action Network, Music Maker Relief Foundation and the Arhoolie Foundation. Her commitment to the redemptive power of music is expressed in the foreword she wrote to American Roots, the book based on 2001's PBS series of the same name. "I feel strongly that this appreciation needs to be out there so that black, Latino and all kids can understand the roots of their own musical heritage," she explains. "The consolidation of the music business has made it difficult to encourage styles like the blues, all of which deserve to be celebrated as part of our most treasured national resources." In the summer of 2009, Bonnie Raitt and Taj Mahal—two leading lights of modern blues—joined forces for their first-ever tour together. The "BonTaj Roulet" tour featured Bonnie and Taj on stage alone and together, before closing each night with a collaborative, blow-out Rhythm and Blues revue-style performance. In addition to the glorious sounds made from the stage, the BonTaj Tour also raised over $200,000 for charity. In an act of democracy dubbed the BonTaj Collective Action Fund, concertgoers voted amongst four cause areas and net proceeds were distributed in proportion to overall votes tallied. "The 'BonTaj' tour was a dream of mine to put together," she says. "I knew that those shows—culminating in the Rock and Roll Hall of Fame show, which was a blast—would signal the beginning of a hiatus for me." Now, Raitt is re-energized and excited to strap her guitar back on and get to work. After spending her career split between Warner Bros and Capitol Records, she is venturing out on her own with a label called Redwing Records. (Slipstream will be distributed by RED in North America and Proper Records for Ex North America.) The album's title is very significant for Bonnie —Slipstream isn't just a beautiful sounding word, but an indication of her place in the music community. "I'm in the slipstream of all these styles of music," she says. "I'm so inspired and so proud to continue these traditions, whether it's reggae or soul or blues. I'm in the slipstream of those who came before me, and I'm leaving one for those behind me. I'm holding up the traditions of the music that I love."

Asbury Hall at Babeville - Buffalo, NY

Aug 13

Aug 13

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

The Reflection is the first new studio album by Keb Mo since Suitcase in 2006. These twelve songs are the product of an important period of personal and professional growth for the artist formerly known as Kevin Moore. In that time, he started a new family; moved from Los Angeles to Nashville; built a state–of–the–art home studio, and founded his own label, Yolabelle International, distributed by Ryko and the Warner Music Group. Keb Mo is a three–time Grammy Award winner for Best Contemporary Blues Album; and a key figure in the acclaimed 2003 PBS series Martin Scorsese Presents The Blues. But The Reflection is not, in essence, a blues album. In sound and spirit, it’s closer to the work of African–American "folk soul" singer/songwriters like Bill Withers, Bobby Womack, and Terry Callier. Indeed, tracks like "My Shadow" and "Crush On You" would have fit neatly into Urban radio’s "Quiet Storm" format at almost any time in the past 25 years. The Reflection brings together all of this singular artist's diverse influences – pre–disco R&B, American folk and gospel, rock, blues, and more – in a sound that is truly and uniquely his own. "I worked on this record for the better part of two years," says Keb. "It took me some time as this was an educational process for me and my engineer John Schirmer. I didn’t want to let it go until I had something that I was proud to share with the public. It’s the culmination of all of my influences throughout my career." Through all the changes of the past several years, Keb Mo found time to play a couple of hundred shows on several continents. He composed and recorded music for the acclaimed TNT series "Memphis Beat," starring Jason Lee and Alfre Woodward. And he wrote some of the best songs of his career for The Reflection – material strong enough to attract such notable guests as country music superstar Vince Gill ("My Baby’s Tellin’ Lies"), nouveau–soul chanteuse India.Arie ("Crush On You"), saxophonist Dave Koz ("One Of These Nights"), and veteran session guitarist David T. Walker ("All The Way," "The Reflection," "The Whole Enchilada"). AWARDS GRAMMY AWARD Contemporary Blues Album "Keep It Simple" 2005 GRAMMY AWARD Contemporary Blues Album "Slow Down" 1999 GRAMMY AWARD Contemporary Blues Album "Just Like You" 1997 GRAMMY AWARD NOMINATION Blues Album of the Year "The Reflection" 2011 GRAMMY AWARD NOMINATION Contemporary Blues Album of the Year "Suitcase" 2007 GRAMMY AWARD NOMINATION Contemporary Blues Album of the Year "Big Wide Grin" 2002 GRAMMY AWARD NOMINATION Contemporary Blues Album of the Year "The Door" 2001 GRAMMY AWARD NOMINATION Country Song of the Year "I Hope" 2006 GOLD RECORD certified by RIAA for "Keb' Mo'" 2005 2002 ORVILLE GIBSON AWARDS- Best Blues Guitarist 2008 ELEVATE FILM FESTIVAL- Best Music Artist 2008 ELEVATE FILM FESTIVAL- Best Music Video HOLLYWOOD ROCK WALK INDUCTION - June 16, 2007 WC HANDY Blues Awards: 1999 Song of the Year - Soon As I Get Paid 1994 Country/Acoustic Blues Album of the Year - Keb' Mo' album 1999 & 2000 Contemporary Blues Male Artist of the Year 1997-2002 Acoustic Blues Artist of the Year

The Dock - Ithaca, NY

Sep 26

Sep 26

Doors open at 7:00 pm Starts at 8:00 pm Ages 16+ Only

Price: $25-$30

Event Information

PLEASE NOTE THIS IS A GENERAL ADMISSION SEATED EVENT


Honing a synthesis of folk and blues for 50 years, Chris Smither is truly an American original. His new CD, Still On the Levee, is a career-spanning retrospective double CD. Recorded in New Orleans with studio-mates, The Motivators, Still On the Levee plays host to special guests including Allen Toussaint and Loudon Wainwright III. The record highlights the vast catalog of an American music master. Reviewers and fans from around the world agree that Chris is a profound songwriter, a blistering guitarist and, as he puts it, a 'one-man band to the bone!’ Chris melds the guitar styles of his two major influences, Lightnin' Hopkins and Mississippi John Hurt, into his own signature sound. His music continues to draw deeply from the blues, American folk music, modern poets and humanist philosophers. 'Link Of Chain', a tribute album of Chris Smither originals with stellar versions by Dave Alvin, Tim O'Brien, Bonnie Raitt, Josh Ritter, Loudon Wainwright III, Jorma Kaukonen, Eilen Jewell and others is now available from Signature Sounds.

Asbury Hall at Babeville - Buffalo, NY

Oct 2

Oct 2

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

“At the top of her game…” (San Francisco Chronicle)


“Never been funnier…” (Boston Globe)


"Insightful, thought-provoking humor… (Chicago Tribune)


32 years ago Paula Poundstone climbed on a Greyhound bus and traveled across the country -- stopping in at open mic nights at comedy clubs as she went. A high school drop-out, she went on to become one of the great humorists of our time. You can hear her through your laughter as a regular panelist on NPR’s popular rascal of a weekly news quiz show, Wait Wait…Don’t Tell Me. She tours regularly, performing standup comedy across the country, causing Bob Zany with the Boston Globe to write: “Poundstone can regale an audience for several hours with her distinctive brand of wry, intelligent and witty comedy.” Audience members may put it a little less elegantly: “I peed my pants.” While there is no doubt that Poundstone is funny, the thing that separates her from the pack of comics working today and that has made her a legend among comics and audiences alike is her ability to be spontaneous with a crowd. Poundstone says: “No two shows I do are the same. It's not that I don't repeat material. I do. My shows, when they're good, and I like to think they often are, are like a cocktail party. When you first get there, you talk about how badly you got lost and how hard it was to find parking. Then you tell a story about your kids or what you just saw on the news. You meet some new people and ask them about themselves. Then, someone says, "Tell that story you used to tell," and then someone on the other side of the room spills a drink, and you mock them. No one ever applauds me when I leave a party, though. I think they high five.” Paula's interchanges with the audience are never mean or done at a person’s expense. She even manages to handle politics without provoking the pall of disapproval less artful comics have received. Paula’s touring schedule is rigorous. She performs an average of 75 dates per year, mostly in Performing Arts Centers and Theatres. For those who don’t have a chance to see her live, they can listen to her brilliance on her CD’s or read her in print: Her newest comedy CD, I HEART JOKES: Paula Tells Them in Boston was recorded during a performance at the historic Wilbur Theatre in the heart of the city and released on April Fool’s Day 2013. It follows her first CD, I HEART JOKES: Paula Tells Them in Maine (November 2007), recorded at the world-famous Stone Mt. Arts Center in none-other than, Maine! Both are available for sale thru Paula’s website at www.paulapoundstone.com, on Amazon, CDbaby, Itunes, and if you are there, at Paula’s shows! Paula is also an accomplished writer. Her first hard cover book, There is Nothing In This Book That I Meant To Say, with a forward by Mary Tyler Moore, was published in 2006 by Harmony Books, a division of Random House. It is still in release on audio (Highbridge) and in paperback. Paula is hard at work on her second book, this one for Algonquin Press. Wait Wait…Don’t Tell Me is now the most popular show on NPR, having reached #1 status in 2014. Listeners can test their knowledge against some of the best and brightest in the news and entertainment world while figuring out what's real news and what's made up. Paula quickly goes on record about how much she loves being part of the show saying: “I am a proud member of the endorphin production industry. They allow me to say whatever I want on Wait, Wait…Don't Tell Me. The panelists are unscripted, so it's perfect for me. I feel like I'm a batter in a batting cage. I get lobbed topics. Sometimes I just watch them go by, but every now and then I get a piece of one. If the others didn't cheat, it would be an almost perfect work experience.” The show is also heard internationally on NPR Worldwide and on the Internet via podcast. In May 2013 the show was Cinecast to movie theatres across the country.Paula was on the show, as was Steve Martin. Paula recently did commentary on CBS Sunday Morning. Her editorial pieces can be heard on NPR's All Things Considered. An avid reader, Paula signed on as the National Spokesperson for the American Library Association’s (ALA) United for Libraries in 2008 – a role she continues to this day! United for Libraries is a national citizen’s support group that works to raise funds and awareness for their local libraries. Said Paula, when she was chosen, “It’s funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.” As part of her duties, Paula recorded a public service announcement for United for Libraries and helps raise funds. For the last four years she has also been the headline panelist at the ALA’s annual conference for their “Laughs On Us” panel of writers. To quote Sally Reed, the ALA Nat'l Director: "...you'd have to come to one of these events to see how adored Paula is by librarians. We love her and it's never repetitive." Paula's incredible spontaneous humor is the perfect fit for the voracious appetite of the social networks: Follow her on: Twitter@twitter.com/paulapoundstone; Facebook: facebook.com/PaulaPoundstone. And enjoy her website: www.paulapoundstone.com Paula grew up in Sudbury, Massachusetts, and began performing at open-mic nights in 1979. Over the span of her career, she has amassed a list of awards and accolades that stretch the length of a great big tall guy’s arm. She not only shot through the glass ceiling, she never acknowledged it was there. She was never one to stereotype herself as a ‘female comedian’ or limit herself to comedy from a ‘female’ point of view. In the early 90’s she was the first woman to win the cable ACE for Best Standup Comedy Special and the first woman to be invited to perform standup at the prestigious White House Correspondents dinner where she joined the current President as part of the evening’s entertainment. Paula starred in a self-titled series for HBO in ’93 (for which she won her second Cable ACE Award for Best Program Interviewer) and moved the show to ABC which was short-lived, but applauded for its break from convention. Paula had her own comedy specials on HBO and BRAVO. In fact, she starred in several comedy specials on HBO, including “Paula Poundstone Goes to Harvard,” the only time the elite university has allowed their name to be used in the title of a television show. If it means anything to anyone, Paula is recognized as one of Comedy Central's 100 greatest stand-ups of all time. She won an American Comedy Award for Best Female Standup Comic, and in 2010 she was one of a select group voted into the Comedy Hall of Fame. Late-night America roared when Paula served as "official correspondent" for The Tonight Show during the 1992 Presidential race. This was followed by her extremely successful backstage commentary during the 1993 Emmy telecast. She has made numerous appearances on all the late night talk shows, including David Letterman, and a regular stint with Craig Ferguson. She has also appeared on The Today Show, Good Morning America, and guested several times on Garrison Keillor’s A Prairie Home Companion. In 2000, when a syndicated version of the popular game show To Tell The Truth came calling for Paula to be one of the panelists, she found another perfect showcase for her razor-sharp humor and spontaneous wit. Beginning in 1997, Paula voiced the character of Judge Stone on the acclaimed ABC-TV Saturday morning animated series Science Court (a.k.a. “Squigglevision”) for three years. In 1999 (the premiereseason) she added to her repertoire the voice of the Mom, ‘Paula’ in what is still considered a renownedcult show, Home Movies (UPN and The Cartoon Network). Paula guest starred on the CBS series Cybill, which led to a recurring role during the show’s final season, and also appeared on PBS favorites such as Sesame Street and Storytime. She won a local Emmy Award for her field pieces on the erudite “Life & Times” for PBS station KCET. She appeared on several network television specials including A Salute to The President from Fords Theatre on ABC when President Clinton was in office, and performed on every Comic Relief Special on HBO. These specials were heralded for the hundreds of thousands of dollars raised for the homeless and the lineup of stars. Paula has also enjoyed success as a Host of many events, including the Art Directors Guild Awards, an unprecedented 4 times, Logically Paula is almost always included in any compendium – be it film, television or print, noting comedic influences of the 20th/21st century. They include Why We Laugh Too: Women of Comedy (Lions Gate feature-length documentary, Showtime, 2013); We Killed: The Rise of Women in American Comedy (Sarah Crichton Books, 2012.) One of Paula’s quotes is even included in a new beautifully illustrated coffee table book on cats alongside quotes by notable authors and artists including W. H. Auden, Mark Twain, and Henry David Thoreau (Chronicle Books, 2015). Paula’s other writing credits include the back page column for Mother Jones from 1995-1998, the “Sunday Calendar” section for the Los Angeles Times, Entertainment Weekly, and Glamour magazine. In 2006 Paula authored a series of three math books with her high school Math teacher, Faye Ruopp: The Sticky Problem of Parallelogram Pancakes: And Other Skill-Building Math Activities, Grades 4-5; Venn Can We Be Friends?: And Other Skill-Building Math Activities, Grades 6-7; You Can't Keep Slope Down: And Other Skill-Building Math Activities, Grades 8-9. These are all available thru Amazon. Paula has three children, Toshia, Allison, and Thomas E. Poundstone. The family lives in Santa Monica, California.

State Theatre of Ithaca - Ithaca, NY

Oct 3

Oct 3

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

“At the top of her game…” (San Francisco Chronicle)


“Never been funnier…” (Boston Globe)


"Insightful, thought-provoking humor… (Chicago Tribune)


32 years ago Paula Poundstone climbed on a Greyhound bus and traveled across the country -- stopping in at open mic nights at comedy clubs as she went. A high school drop-out, she went on to become one of the great humorists of our time. You can hear her through your laughter as a regular panelist on NPR’s popular rascal of a weekly news quiz show, Wait Wait…Don’t Tell Me. She tours regularly, performing standup comedy across the country, causing Bob Zany with the Boston Globe to write: “Poundstone can regale an audience for several hours with her distinctive brand of wry, intelligent and witty comedy.” Audience members may put it a little less elegantly: “I peed my pants.” While there is no doubt that Poundstone is funny, the thing that separates her from the pack of comics working today and that has made her a legend among comics and audiences alike is her ability to be spontaneous with a crowd. Poundstone says: “No two shows I do are the same. It's not that I don't repeat material. I do. My shows, when they're good, and I like to think they often are, are like a cocktail party. When you first get there, you talk about how badly you got lost and how hard it was to find parking. Then you tell a story about your kids or what you just saw on the news. You meet some new people and ask them about themselves. Then, someone says, "Tell that story you used to tell," and then someone on the other side of the room spills a drink, and you mock them. No one ever applauds me when I leave a party, though. I think they high five.” Paula's interchanges with the audience are never mean or done at a person’s expense. She even manages to handle politics without provoking the pall of disapproval less artful comics have received. Paula’s touring schedule is rigorous. She performs an average of 75 dates per year, mostly in Performing Arts Centers and Theatres. For those who don’t have a chance to see her live, they can listen to her brilliance on her CD’s or read her in print: Her newest comedy CD, I HEART JOKES: Paula Tells Them in Boston was recorded during a performance at the historic Wilbur Theatre in the heart of the city and released on April Fool’s Day 2013. It follows her first CD, I HEART JOKES: Paula Tells Them in Maine (November 2007), recorded at the world-famous Stone Mt. Arts Center in none-other than, Maine! Both are available for sale thru Paula’s website at www.paulapoundstone.com, on Amazon, CDbaby, Itunes, and if you are there, at Paula’s shows! Paula is also an accomplished writer. Her first hard cover book, There is Nothing In This Book That I Meant To Say, with a forward by Mary Tyler Moore, was published in 2006 by Harmony Books, a division of Random House. It is still in release on audio (Highbridge) and in paperback. Paula is hard at work on her second book, this one for Algonquin Press. Wait Wait…Don’t Tell Me is now the most popular show on NPR, having reached #1 status in 2014. Listeners can test their knowledge against some of the best and brightest in the news and entertainment world while figuring out what's real news and what's made up. Paula quickly goes on record about how much she loves being part of the show saying: “I am a proud member of the endorphin production industry. They allow me to say whatever I want on Wait, Wait…Don't Tell Me. The panelists are unscripted, so it's perfect for me. I feel like I'm a batter in a batting cage. I get lobbed topics. Sometimes I just watch them go by, but every now and then I get a piece of one. If the others didn't cheat, it would be an almost perfect work experience.” The show is also heard internationally on NPR Worldwide and on the Internet via podcast. In May 2013 the show was Cinecast to movie theatres across the country.Paula was on the show, as was Steve Martin. Paula recently did commentary on CBS Sunday Morning. Her editorial pieces can be heard on NPR's All Things Considered. An avid reader, Paula signed on as the National Spokesperson for the American Library Association’s (ALA) United for Libraries in 2008 – a role she continues to this day! United for Libraries is a national citizen’s support group that works to raise funds and awareness for their local libraries. Said Paula, when she was chosen, “It’s funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.” As part of her duties, Paula recorded a public service announcement for United for Libraries and helps raise funds. For the last four years she has also been the headline panelist at the ALA’s annual conference for their “Laughs On Us” panel of writers. To quote Sally Reed, the ALA Nat'l Director: "...you'd have to come to one of these events to see how adored Paula is by librarians. We love her and it's never repetitive." Paula's incredible spontaneous humor is the perfect fit for the voracious appetite of the social networks: Follow her on: Twitter@twitter.com/paulapoundstone; Facebook: facebook.com/PaulaPoundstone. And enjoy her website: www.paulapoundstone.com Paula grew up in Sudbury, Massachusetts, and began performing at open-mic nights in 1979. Over the span of her career, she has amassed a list of awards and accolades that stretch the length of a great big tall guy’s arm. She not only shot through the glass ceiling, she never acknowledged it was there. She was never one to stereotype herself as a ‘female comedian’ or limit herself to comedy from a ‘female’ point of view. In the early 90’s she was the first woman to win the cable ACE for Best Standup Comedy Special and the first woman to be invited to perform standup at the prestigious White House Correspondents dinner where she joined the current President as part of the evening’s entertainment. Paula starred in a self-titled series for HBO in ’93 (for which she won her second Cable ACE Award for Best Program Interviewer) and moved the show to ABC which was short-lived, but applauded for its break from convention. Paula had her own comedy specials on HBO and BRAVO. In fact, she starred in several comedy specials on HBO, including “Paula Poundstone Goes to Harvard,” the only time the elite university has allowed their name to be used in the title of a television show. If it means anything to anyone, Paula is recognized as one of Comedy Central's 100 greatest stand-ups of all time. She won an American Comedy Award for Best Female Standup Comic, and in 2010 she was one of a select group voted into the Comedy Hall of Fame. Late-night America roared when Paula served as "official correspondent" for The Tonight Show during the 1992 Presidential race. This was followed by her extremely successful backstage commentary during the 1993 Emmy telecast. She has made numerous appearances on all the late night talk shows, including David Letterman, and a regular stint with Craig Ferguson. She has also appeared on The Today Show, Good Morning America, and guested several times on Garrison Keillor’s A Prairie Home Companion. In 2000, when a syndicated version of the popular game show To Tell The Truth came calling for Paula to be one of the panelists, she found another perfect showcase for her razor-sharp humor and spontaneous wit. Beginning in 1997, Paula voiced the character of Judge Stone on the acclaimed ABC-TV Saturday morning animated series Science Court (a.k.a. “Squigglevision”) for three years. In 1999 (the premiereseason) she added to her repertoire the voice of the Mom, ‘Paula’ in what is still considered a renownedcult show, Home Movies (UPN and The Cartoon Network). Paula guest starred on the CBS series Cybill, which led to a recurring role during the show’s final season, and also appeared on PBS favorites such as Sesame Street and Storytime. She won a local Emmy Award for her field pieces on the erudite “Life & Times” for PBS station KCET. She appeared on several network television specials including A Salute to The President from Fords Theatre on ABC when President Clinton was in office, and performed on every Comic Relief Special on HBO. These specials were heralded for the hundreds of thousands of dollars raised for the homeless and the lineup of stars. Paula has also enjoyed success as a Host of many events, including the Art Directors Guild Awards, an unprecedented 4 times, Logically Paula is almost always included in any compendium – be it film, television or print, noting comedic influences of the 20th/21st century. They include Why We Laugh Too: Women of Comedy (Lions Gate feature-length documentary, Showtime, 2013); We Killed: The Rise of Women in American Comedy (Sarah Crichton Books, 2012.) One of Paula’s quotes is even included in a new beautifully illustrated coffee table book on cats alongside quotes by notable authors and artists including W. H. Auden, Mark Twain, and Henry David Thoreau (Chronicle Books, 2015). Paula’s other writing credits include the back page column for Mother Jones from 1995-1998, the “Sunday Calendar” section for the Los Angeles Times, Entertainment Weekly, and Glamour magazine. In 2006 Paula authored a series of three math books with her high school Math teacher, Faye Ruopp: The Sticky Problem of Parallelogram Pancakes: And Other Skill-Building Math Activities, Grades 4-5; Venn Can We Be Friends?: And Other Skill-Building Math Activities, Grades 6-7; You Can't Keep Slope Down: And Other Skill-Building Math Activities, Grades 8-9. These are all available thru Amazon. Paula has three children, Toshia, Allison, and Thomas E. Poundstone. The family lives in Santa Monica, California.

Berklee Performance Center - Boston, MA

Oct 9

Oct 9

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

Arlo Guthrie was born with a guitar in one hand and a harmonica in the other, in Coney Island, Brooklyn, New York in 1947. He is the eldest son of America's most beloved singer/writer/philosopher Woody Guthrie and Marjorie Mazia Guthrie, a professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington's Disease.

For more than a decade, Arlo has toured worldwide with different shows: An America Scrapbook, beginning 1998 (with symphony orchestras), The Guthrie Family Legacy Tour, beginning 2006 (with various family members), Boys Night Out Tour, beginning 2008 (with his son, Abe Guthrie and Grandson, Krishna), The Lost World Tour, beginning 2008 (with a big band and The Burns Sisters), The Guthrie Family Rides Again Tour beginning in 2009 (with the entire family), The Journey On Tour beginning 2010 (Big band & The Burns sisters), The Guthrie Family Reunion Tour beginning 2012 (The whole family), Here Comes The Kid - The Woody Guthrie Centennial Tour beginning 2012), Here Come The Kid(s) beginning in 2013 (continuing the Woody Centennial). The Centennial celebration tour ends May 2014.

Interspersed between all the tours was the recurring "Arlo Guthrie Solo Reunion Tour - Together At Last," which was certainly the best named tour. The currant version of the solo tour runs from June 2014 - November 2014. After the solo tour Arlo will put "Alice's Restaurant" back on the setlist menu for "The Alice's Restaurant 50th Anniversary Tour", with will run from January 2015 through May 2016. If he survives the "Alice 50 Tour" he will go fishing.

He grew up surrounded by dancers and musicians: Pete Seeger, Ronnie Gilbert, Fred Hellerman and Lee Hays (The Weavers), Leadbelly, Cisco Houston, Ramblin' Jack Elliott, Sonny Terry and Brownie McGhee, all of whom were significant influences on Arlo's musical career. Guthrie gave his first public performance in 1961 at age 13 and quickly became involved in the music that was shaping the world. Over the next few years, Arlo inherited his father's friend Pete Seeger and the two toured together, between demonstrations, beginning in the late 60's. They continued doing over a dozen shows together almost every year for the next 40 years creating a legendary collaboration that continues to this day. The last Pete & Arlo show was in November 2012 at Carnegie Hall in New York City.

Arlo practically lived in the most famous venues of the "Folk Boom" era. In New York City he hung out at Gerdes Folk City, The Gaslight and The Bitter End. In Boston's Club 47, and in Philadelphia he made places like The 2nd Fret and The Main Point his home. He witnessed the transition from an earlier generation of ballad singers like Richard Dyer-Bennet and blues-men like Mississippi John Hurt, to a new era of singer-song writers such as Bob Dylan, Jim Croce, Joan Baez, and Phil Ochs. He grooved with the beat poets like Allen Ginsburg and Lord Buckley, and picked with players like Bill Monroe and Doc Watson. He learned something from everyone and developed his own style, becoming a distinctive, expressive voice in a crowded community of singer-songwriters and political-social commentators.

Arlo Guthrie's career exploded in 1967 with the release of "Alice's Restaurant", whose title song premiered at the Newport Folk Festival helped foster a new commitment among the '60s generation to social consciousness and activism. Arlo went on to star in the 1969 Hollywood film version of "Alice's Restaurant", directed by Arthur Penn. With songs like "Alice's Restaurant", too long for radio airplay; "Coming into Los Angeles", banned from many radio stations (but a favorite at the 1969 Woodstock Festival); and the definitive rendition of Steve Goodman's "City of New Orleans", Guthrie was no One-Hit-Wonder. An artist of international stature, he has never had a 'hit' in the usual sense. He has usually preferred to walk to his own beat rather than march in step to the drum of popular culture. Over the last five decades Guthrie has toured throughout North America, Europe, Asia, Africa and Australia winning a wide, popular following. In addition to his accomplishments as a musician, playing the piano, six and twelve-string guitar, harmonica and a dozen other instruments, Arlo is a natural-born storyteller, whose tales and anecdotes figure prominently in his performances.

In 1991 Arlo purchased the old Trinity Church. It was Thanksgiving 1965 that events took place at the church which inspired Arlo to write the song "Alice's Restaurant". Named for his parents, The Guthrie Center is a not-for-profit interfaith church foundation dedicated to providing a wide range of local and international services. Its outreach programs include everything from providing HIV/AIDS services to baking cookies with a local service organization; an HD walk-a-thon to raise awareness and money for a cure for Huntington's Disease, and offering a place simply to meditate. The Guthrie Foundation is a separate not-for-profit educational organization that addresses issues such as the environment, health care, cultural preservation and educational exchange. Arlo Guthrie, Rising Son Records and The Guthrie Center & Foundation are on the World Wide Web at http://www.risingsonrecords.com/

State Theatre of Ithaca - Ithaca, NY

Nov 11

Nov 11

Doors open at 7:15 pm Starts at 8:15 pm All ages

Event Information

Arlo Guthrie was born with a guitar in one hand and a harmonica in the other, in Coney Island, Brooklyn, New York in 1947. He is the eldest son of America's most beloved singer/writer/philosopher Woody Guthrie and Marjorie Mazia Guthrie, a professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington's Disease. For more than a decade, Arlo has toured worldwide with different shows: An America Scrapbook, beginning 1998 (with symphony orchestras), The Guthrie Family Legacy Tour, beginning 2006 (with various family members), Boys Night Out Tour, beginning 2008 (with his son, Abe Guthrie and Grandson, Krishna), The Lost World Tour, beginning 2008 (with a big band and The Burns Sisters), The Guthrie Family Rides Again Tour beginning in 2009 (with the entire family), The Journey On Tour beginning 2010 (Big band & The Burns sisters), The Guthrie Family Reunion Tour beginning 2012 (The whole family), Here Comes The Kid - The Woody Guthrie Centennial Tour beginning 2012), Here Come The Kid(s) beginning in 2013 (continuing the Woody Centennial). The Centennial celebration tour ends May 2014. Interspersed between all the tours was the recurring "Arlo Guthrie Solo Reunion Tour - Together At Last," which was certainly the best named tour. The currant version of the solo tour runs from June 2014 - November 2014. After the solo tour Arlo will put "Alice's Restaurant" back on the setlist menu for "The Alice's Restaurant 50th Anniversary Tour", with will run from January 2015 through May 2016. If he survives the "Alice 50 Tour" he will go fishing. He grew up surrounded by dancers and musicians: Pete Seeger, Ronnie Gilbert, Fred Hellerman and Lee Hays (The Weavers), Leadbelly, Cisco Houston, Ramblin' Jack Elliott, Sonny Terry and Brownie McGhee, all of whom were significant influences on Arlo's musical career. Guthrie gave his first public performance in 1961 at age 13 and quickly became involved in the music that was shaping the world. Over the next few years, Arlo inherited his father's friend Pete Seeger and the two toured together, between demonstrations, beginning in the late 60's. They continued doing over a dozen shows together almost every year for the next 40 years creating a legendary collaboration that continues to this day. The last Pete & Arlo show was in November 2012 at Carnegie Hall in New York City. Arlo practically lived in the most famous venues of the "Folk Boom" era. In New York City he hung out at Gerdes Folk City, The Gaslight and The Bitter End. In Boston's Club 47, and in Philadelphia he made places like The 2nd Fret and The Main Point his home. He witnessed the transition from an earlier generation of ballad singers like Richard Dyer-Bennet and blues-men like Mississippi John Hurt, to a new era of singer-song writers such as Bob Dylan, Jim Croce, Joan Baez, and Phil Ochs. He grooved with the beat poets like Allen Ginsburg and Lord Buckley, and picked with players like Bill Monroe and Doc Watson. He learned something from everyone and developed his own style, becoming a distinctive, expressive voice in a crowded community of singer-songwriters and political-social commentators. Arlo Guthrie's career exploded in 1967 with the release of "Alice's Restaurant", whose title song premiered at the Newport Folk Festival helped foster a new commitment among the '60s generation to social consciousness and activism. Arlo went on to star in the 1969 Hollywood film version of "Alice's Restaurant", directed by Arthur Penn. With songs like "Alice's Restaurant", too long for radio airplay; "Coming into Los Angeles", banned from many radio stations (but a favorite at the 1969 Woodstock Festival); and the definitive rendition of Steve Goodman's "City of New Orleans", Guthrie was no One-Hit-Wonder. An artist of international stature, he has never had a 'hit' in the usual sense. He has usually preferred to walk to his own beat rather than march in step to the drum of popular culture. Over the last five decades Guthrie has toured throughout North America, Europe, Asia, Africa and Australia winning a wide, popular following. In addition to his accomplishments as a musician, playing the piano, six and twelve-string guitar, harmonica and a dozen other instruments, Arlo is a natural-born storyteller, whose tales and anecdotes figure prominently in his performances. In 1991 Arlo purchased the old Trinity Church. It was Thanksgiving 1965 that events took place at the church which inspired Arlo to write the song "Alice's Restaurant". Named for his parents, The Guthrie Center is a not-for-profit interfaith church foundation dedicated to providing a wide range of local and international services. Its outreach programs include everything from providing HIV/AIDS services to baking cookies with a local service organization; an HD walk-a-thon to raise awareness and money for a cure for Huntington's Disease, and offering a place simply to meditate. The Guthrie Foundation is a separate not-for-profit educational organization that addresses issues such as the environment, health care, cultural preservation and educational exchange. Arlo Guthrie, Rising Son Records and The Guthrie Center & Foundation are on the World Wide Web at http://www.risingsonrecords.com/

- Upcoming Highlights -

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- Spotlight Artists -

- Just Announced -

Apr 19

Barton Hall - Ithaca, NY

with Turn to Crime

May 1

State Theatre of Ithaca - Ithaca, NY

May 22

Brewery Ommegang - Cooperstown, NY

with very special guests TV on the Radio and John Grant

May 26

Water Street Music Hall - Rochester, NY

with special guest Craig Finn

May 29

The Dock - Ithaca, NY

Jun 3

Asbury Hall at Babeville - Buffalo, NY

Jun 8

Water Street Music Hall - Rochester, NY

Jun 16

Asbury Hall at Babeville - Buffalo, NY

with Gilligan Moss

- Social Updates -

From our friends Jukebox the Ghost playing The Haunt on March 6! We Play Conan Tonight! Tonight we'll be performing "Postcard" on Conan at 11/10c on TBS. Make sure to tune in! NEW LABEL We are so thrilled to announce that we have signed with Cherrytree Records. Brilliant label with stellar people and a fantastic track record (see what we did there? record? yeah?!). They are going to be rereleasing our self titled album with a SPECIAL BONUS DISC this February... WALK LIKE AN EGYPTIAN ALSO... we have recorded a cover of "Walk Like An Egyptian" with tour-mates and now label-mates Secret Someones, which will be released soon (and you can stream now on our YouTube channel HERE)!!!!! B-SIDE SESSION of UNDENIABLE YOU AND LONG WAY HOME Lastly, we stopped by Mobtown Studios to chat, and try out some acoustic versions of "Undeniable You" and "Long Way Home". Watch and listen HERE. CONTESTS Hope to see you on the road... Don't forget about our Postcard Contest and Local Haunt Contest. Be sure to use #JTG2015 and #JTGyourcityname on Twitter, Instagram, and Facebook (ie: #jtgLOSANGELES #jtgCHICAGO, etc) for your chance to win tickets.

The New Pornographers - "Your Hands (Together)" Official Video

Directed by Blaine Thurier Purchase 'Together' now at: iTunes: http://itunes.apple.com/us/album/together/id367139701 Amazon: http://www.amazon.com/Together-N...

Thanks Wild Child and Pearl and the Beard for a rocking start to #dsp2015 at The Dock last night! This week we focus on one of our faves and the first show for DSP at the State Theatre of Ithaca this Feb 10 - The New Pornographers! Get your tickets now - and Cornell University students save $10 by purchasing thru the Cornell Concert Commission!

Wild Child - Crazy Bird OFFICIAL

Director: Christian Sorensen Hansen Artist: Wild Child Album: The Runaround (2013) Label: The Noise Company Purchase on iTunes: https://itunes.apple.com/us/a...

TONITE!!! Wild Child and Pearl and the Beard at The Dock They have sold out nearly every show on this tour - don;t let them down ithaca!

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P.O. BOX 736
Ithaca, NY 14851