UPCOMING EVENTS

The Dock - Ithaca, NY

with Dynamic Inkline

Nov 28

Nov 28

Doors open at 9:00 pm Starts at 10:00 pm Ages 16+ Only

Price: $10-$15

Event Information

Off the beaten path, nestled in the deep gorges of Ithaca, New York, there are whisperings of a musical revolution in the air. The streets are abuzz as the cutting edge new school hip hop sound of The Gunpoets takes the scene by storm. Heavy bass, hard hitting drums, silky smooth keys and sexy guitar licks sweep audiences away as listeners find their bodies unable to resist the explosive rhythms. Add turntables and a microphone? Well, let's just say they won’t know what hit ‘em. With partner in rhyme Jayhigh by his side, front man Rising Sun owns the stage and captivates the crowd at every twist and turn. To witness The Gunpoets in action is to see live rap music at its best! Their display of passion and energy is indeed a sight to behold. Powerful, positive, peaceful and at times political, they can work fans into a frenzy with one song and seduce them into a trance with the next. The Gunpoets seamlessly fuse hip hop with pop, rock, soul and funk to bring the world their own unique flavor. They have all the ingredients. Their recipe? Music with a message that inspires and uplifts the heart and soul. The Gunpoets have shared the stage with artists and bands such as Arrested Development, Talib Kweli, Midnite, John Brown’s Body, Donna the Buffalo, Sim Redmond Band, and many more. They recently released their highly anticipated sophomore LP, "Come With Us", an album stuffed to the rafters with catchy tunes and cleverly crafted rhymes that showcases the bands versatility and musicianship. In 2010, their debut album "Shoot the Stars" won several local music awards, as well as the hearts of fans around the world. Whether they're on the road rocking crowds or in the lab working on their latest concoctions, they're making music around the clock and loving every minute of it.

The Haunt - Ithaca, NY

Nov 29

Nov 29

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian

In 2002, Clay Ross embarked on a musical odyssey that brought him closer to home. The South Carolina native moved to New York to pursue a jazz career and several years later found himself in Recife, Brazil studying the region’s folkloric music. Along the way he rediscovered the straightforward songs of his native South.

The guitarist and singer titled his Ropeadope Records debut Matuto, after a Brazilian slang reference to a man from the backcountry. Described as “Weird and Wonderful… Unorthodox and Delightful” by Jazz Times Magazine, the set allows Ross to carve a niche in a musical tradition created on another continent. He performs North American folk songs like “Home Sweet Home” and Blind Willie Johnson’s “John the Revelator” over South American rhythms Maracatu, Forró, and Coco typical of the northeastern region of Brazil.

In recording the album, Ross called upon the talents of NYC’s most sought-after musicians, including master accordionist Rob Curto. Born in New York, Curto is widely regarded as forró’s foremost ambassador in the States. An early devotee of North American swing music, bebop piano, funk, rock, and blues, he has combined these influences with his mastery of their Brazilian counterparts forró, chorinho, samba, maracatu, and frevo to produce stunning new results. He spent years living and playing in Brazil, completely absorbing and interpreting the country’s musical traditions. Curto was a member of the original scene that established forró, the dance music of northeastern Brazil, as an official dance craze in downtown New York.

Ross and Curto began exploring a shared musical vision and set about combining their individual repertoires into an extensive library of Pan-American influences. Focusing their talents, resources, and experience Ross and Curto set out to establish Matuto as a band.

In February of 2009 they received a prestigious Fulbright Grant and completed a six-week residency in Recife, Brazil. There, with drummer Richie Barshay (Herbie Hancock Quartet) and bassist Edward Perez, the band thrilled audiences at the Garanhuns Jazz Festival and the massive Rec Beat Festival, finding equal comfort along side jazz and blues legends, folk music traditionalists, and indie rock experimentalists. They also lead educational workshops in underserved communities and performed public concerts in theaters and auditoriums across the city. Later that year they headlined the American Folk Festival in Bangor, ME and the Montmagny World Accordion Festival in Canada.

Employing renowned musicians across NYC’s diverse jazz, roots, and world music scenes, Matuto features violin, guitar, accordion, bass, drums, and various Brazilian percussion instruments: the alfaia (a large, wooden, rope-tuned bass drum), the pandeiro (a Brazilian tambourine), the berimbau (a single-string on a bow struck with a small stick), and the agogô (a pair of small, pitched metal bells.)

Currently working on a new album, Ross and Curto have produced a compilation disc of their respective best. This compilation reflects the inspiring live show that the band has developed in the last year. Appalachian fiddle tunes bounce with a Northeastern Brazilian lilt while the one string Berimbau resonates with a strangely effective blues riff. Curto spins long chromatic melodies over intricate arrangements and infectiously funky folkloric rhythms. Like a true southern preacher, Ross delivers colorfully satirical lyrics reminiscent of David Byrne, Tom Ze, and Caetano Veloso.

With an honest love for roots music, genuine Brazilian styles, and improvisational experimentation, Matuto creates a unique and inspired sound from the heart of New York City’s diverse musical culture.

The Haunt - Ithaca, NY

Dec 4

Dec 4

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


PEELANDER-Z, the Japanese Action Comic Punk Band based in NYC, was originally formed in 1998 by Peelander-Yellow, Peelander-Red, and Peelander-Blue, after meeting in New York City (although they’ll tell you they’re all from the Z area on the planet Peelander). Peelander-Green was welcomed in July 2008 after Blue left the band. Peelander–Z has appeared at major music festivals including Bonnaroo and the Vans Warped Tour and has also been featured on TV programs such as VH1’s “Best Week Ever” and Comedy Central’s “Upright Citizens Brigade” among others. The band has also been covered by SPIN, Rolling Stone, Village Voice, NPR and The Onion among many others. At its live shows, Peelander–Z guarantees intense audience participation and a chance to exercise. You’ll see the band in colorful costumes reminiscent of Japanese anime, though they describe their outfits as their skin. You’ll also see The Red Squid, human bowling and all around insanity. A Peelander–Z performance is a rare occasion for the entire family to rock out and have a great time.

State Theatre of Ithaca - Ithaca, NY

with special guests Donna The Buffalo

Dec 5

Dec 5

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

From their days playing together as teenagers to their current acoustic and electric blues, probably no one has more consistently led American music for the last 50 years — yes! — than Jorma Kaukonen and Jack Casady, the founders and continuing core members of Hot Tuna.
The pair began playing together while growing up in the Washington D.C. area, where Jack’s father was a dentist and Jorma’s father a State Department official. Four years younger, Jack continued in junior high, then high school — while playing professional gigs as lead guitarist at night before he was old enough to drive — while Jorma (who had played rhythm guitar to Jack’s lead) started college in Ohio, accompanied his family overseas, then returned to college, this time in California.
Along the way, Jorma became enamored of, then committed to, the finger-picking guitar style exemplified by the now-legendary Rev. Gary Davis. Jack, meanwhile, had taken an interest in the electric bass, at the time a controversial instrument in blues, jazz, and folk circles.
In the mid 1960s, Jorma was asked to audition to play guitar for a new band that was forming in San Francisco. Though an acoustic player at heart, he grew interested in the electronic gadgetry that was beginning to make an appearance in the popular music scene — particularly in a primitive processor brought to the audition by a fellow named Ken Kesey — and decided to join that band; soon thereafter he summoned his young friend from Washington, who now played the bass.
Thus was created the unique (then and now) sound that was The Jefferson Airplane. Jorma even contributed the band’s name, drawn from a nickname a friend had for the blues-playing Jorma. Jack’s experience as a lead guitarist led to a style of bass playing which took the instrument far beyond its traditional role.
While in The Jefferson Airplane, putting together the soundtrack of the 60s, the pair remained loyal to the blues, jazz, bluegrass, and folk influences of the small clubs and larger venues they had learned from years before. While in San Francisco and even in hotel rooms on the road, they would play together and worked up a set of songs that they would often play at clubs in the Bay Area and while on the road, often after having played a set with the Airplane. This led to a record contract; in fact, they had an album recorded before they decided to name their band Hot Tuna. With it they launched on an odyssey which has itself continued for more than 35 years, always finding new and interesting turns in its path forward.
The first thing an early Hot Tuna fans discovered at their concerts of the early 1970s was that the band was growing louder and louder. In an era in which volume often overtrumped musicianship, Hot Tuna provided both. The second thing a fan would discover was that Jack and Jorma really loved to play. “Look around for another band that plays uninterrupted three- to six-hour sets,” wrote reviewer Jerry Moore. What Moore could not have known was that had there been no audience at all, they would have played just as long and just as well, so devoted were they to making music. Of course, the audience wasn’t superfluous by any means; it energized and continues to energize their performances. Album followed album — more than two dozen in all, not counting solo efforts, side projects, and appearances on the albums of other bands and performers — and they continued to develop their interests and styles, both together and in individual pursuits. In an era in which old bands reunite for one last tour, Hot Tuna can’t because Hot Tuna never broke up.
Along the way, they have been joined by a succession of talented musicians: Drummers, harmonica players, keyboardists, backup singers, violinists, mandolinists, and more, all fitting in to Jorma and Jack’s current place in the musical spectrum. And along the way there was no list of outstanding guitarists that didn’t include Jorma, nor was there anyone who seriously thought there is a better bass player than Jack.
After two decades of acoustic and electric concerts and albums, the 1990s brought a new focus on acoustic music to Hot Tuna. More intimate venues with a more individual connection to the audience became increasingly frequent stops. Soon, the loud electric sound (and the semi trailer load of equipment) disappeared entirely from Hot Tuna tours. Maturity brought the desire to do things not instead of but in addition to being a touring band. Both had become interested in teaching, passing along what they had learned and what they had uniquely developed to a new generation of players.
In 1998 Jorma and his wife Vanessa opened Fur Peace Ranch Guitar Camp, in the beautiful rolling Appalachian foothills of southeastern Ohio.
Here, on a sprawling and rustic yet modern campus, musicians and would-be musicians come for intensive and enjoyable workshops taught by Jorma, Jack, and other extraordinary players, learning things that range from different styles of playing to songwriting and even storytelling (the musician in performance has to say something while changing that broken string!), to making a song one’s own.
In addition, there is now BreakDownWay.com, a unique interactive teaching site that comes closest of anything yet to make individual instruction available to students anywhere there is a computer and an Internet connection.
But the teaching doesn’t replace Hot Tuna’s busy tour schedule; it’s in addition to the tours. Nor have they lighened up their individual schedules. Jack released his first solo CD, Dream Factor, on Eagle Records in 2003. He has a busy and elaborate website at jackcasady.com. Jorma has a website, too, and achieved enormous critical acclaim and a Grammy nomination for his 2003 solo album, Blue Country Heart. (Both are in the Rock and Roll Hall of Fame due to their pioneering work in The Jefferson Airplane.) As 2006 began, they launched another exciting website, Hot Tuna Tunes, where fans may inexpensively download professionally made recordings of full Hot Tuna concerts in both MP3 and lossless encodings, suitable for portable player and home-burned CDs respectively. Hot Tuna Tunes is added to all the time, so it’s almost as if Hot Tuna were releasing numerous live concert albums every year. Collect the entire set!
For the last few years, Jorma and Jack have been joined in most of their Hot Tuna performances by the mandolin virtuoso Barry Mitterhoff. A veteran of bluegrass, Celtic, folk, and rock-influenced bands including “Tony Trischka and Skyline” and “Bottle Hill,” Barry has found a new voice in working with Hot Tuna, and the fit has been good — watching them play, it’s as if he’s been there from the beginning and they’re all having the time of their lives.
Jorma and Jack certainly could not have imagined, let alone predicted, where playing would take them. It’s been a long and fascinating road to numerous exciting destinations. Two things have never changed: They still love to play as much as they did as kids in Washington D.C., and there are still many, many exciting miles yet to travel on their musical odyssey.

State Theatre of Ithaca - Ithaca, NY

Dec 7

Dec 7

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

Voted one of Variety’s “10 Comics to Watch,” Ralphie May has released, a record-setting, four one-hour comedy specials and will be releasing two more this year, proving that his relatable comedic genius is in higher demand than ever. In addition, he recently released a vintage comedy album recorded in Houston in 1998 and his new line of barbecue sauce called “Fat Baby Jesus.” Lovable enough to get away with anything, Ralphie continues to capture the hearts of thousands on his sold out tours and promises to make you gleefully uncomfortable. Since his debut on season one of “Last Comic Standing,” audiences can’t get enough of the larger than life comedian. Ralphie has a proven track record of selling out multiple shows in venues of all sizes. He has a no nonsense point of view and the ability to connect with a diverse audience by pointing out society’s hypocrisies. Ralphie doesn’t shy away from touchy topics or ethnic jokes, nor does he bite his tongue when society suggests, because he sincerely believes that as long as what he’s saying is true, people need to hear it. Born on February 17, 1972 in Chattanooga, Tennessee and raised in Clarksville, Arkansas, Ralphie was one of four kids raised by his single mom. At the age of seventeen he won a contest to open for his idol, Sam Kinison. He later moved to Houston to develop his comedy routine, at Kinison’s suggestion. “All the comics I’ve ever admired, whether it be Kinison, Lenny Bruce, Buddy Hackett or Richard Pryor, all share a commonality,” says May. “They’re a tour de force. When they speak, there’s no room for rebuttal. They’ve thought it all out. Even the pros and cons of their argument, they raise openly and debate in the midst of their conversation and it’s a beautiful thing to watch.” On the small screen, Ralphie has worked as a writer and producer on ESPN's “Mohr Sports” starring Jay Mohr and performed stand-up on numerous late night talk shows including four appearances on CBS's “The Late Late Show w/ Craig Kilborn” as well as eleven appearances on “Jimmy Kimmel Live.” He has appeared on “The Man Show” and MTV’s “Bash” as well as guest-starred on NBC’s “Whoopie.” As if that’s not enough, he’s also one of a handful of comedians to have received a standing ovation on “The Tonight Show w/ Jay Leno.” When he’s not on the road, Ralphie divides his time between Nashville and Los Angeles with his beautiful wife Lahna, their wonderful dog Hoochie Mama, and their two children, April June May and August James May. He contributes much of his time and energy to helping others. Since establishing a residence in Nashville, he has been actively involved with the 100 Club of Nashville, various youth organizations and the Humane Society.

The Haunt - Ithaca, NY

Dec 10

Dec 10

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


On his new release Another Day (Eusonia Records, 2011), Zach Deputy demonstrates his extraordinary ability to perform and record in multiple contexts and conveys the sensibilities of a mature singer/songwriter. Another Day offers another look at Zach Deputy and seeks to help him cross over into other audiences. Rich with ballads and mid-tempo songs, the music on this recording is best described as soulful rhythm and blues, with flavors of Al Green, Taj Mahal and Stevie Wonder emerging in the swells, changes and modulations of the music, in the voice and even in the lyrical content. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, but the origins of the style and feel remain classic. Recorded over 5 days in August 2010 at Mission Sound Recording in Brooklyn, NY, Another Day is the truest example of pure musicianship. As heard in this recording, Grammy winning producer Scott Jacoby and his team of musicians demonstrate that large budget recordings and “over-production” are simply not necessary. Drummer Graham Hawthorne (Aretha Franklin, Paul Simon, David Byrne), bassist Al Carty (Lou Reed, Alicia Keys, Gavin DeGraw) and pianist / organist Will Buthod (Jay-Z, Swizz Beatz, The Harlem Gospel Choir) and Zach Deputy met for the first time on day one of recording and– despite their diverse backgrounds– instantly clicked with each other and created the perfect landscape to support Zach’s songs. In contrast to the music and feel of Another Day, Zach Deputy has made his mark thus far as a touring powerhouse. As a boy, the music of his Puerto Rican, Cruzan and Irish heritage was cooked up in the South Carolina heat. The Calypso rhythms and folk songs of St. Croix competed with the R&B / soul of pioneers like James Brown and Ray Charles for space on the family stereo. As Deputy honed his craft, a unique hybrid of these influences emerged, ultimately creating the signature Zach Deputy sound. To bring this sound to the stage, the big, impossibly upbeat South Carolinian with the infectious smile puts on a solo show– enhanced by looping technology– that is essentially a one man dance party offering up what he calls “Island-infused, Drum ‘n’ Bass, Gospel-Ninja-Soul” to the enthusiastic crowds of dancers who flock to clubs from coast-to-coast. It is these late night dance parties— more than 250 per year– that have made Zach Deputy one of the hottest up-and-coming performers on the camping festival circuit and “jam band” scene. For Zach, most days begin in a hotel room and end a couple of hours after walking off stage. The constant touring and the compelling live show may be the key to Zach’s success on the road, but it is an unlikely inspiration for Another Day, as there is little similarity between what fans have come to expect from Zach and what is offered up in this new record. Thus, Another Day is an appropriately titled album, and it is truly an album in the classic sense— a collection of songs that come from the same time and place, inspired by the same muse. Reflective and introspective, it provides a glimpse at the soul of an artist and the depth of a songwriter. Full of hope and anticipation of the promise of another day, a new day, it is a pivotal point in the career of a touring musician. Whereas it is a departure for Zach Deputy, it is one that he feels confident his fans can relate to, but it isn’t the end in itself. Deputy’s multi-faceted diamond gets one side polished in this offering, and it is a side that will shine brightly for a new audience.

The Haunt - Ithaca, NY

This is a free event. Advance tickets are available online or at: State Theatre Box Office, The Haunt, and McNeil Music of Ithaca

Dec 12

Dec 12

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $0

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian

The Haunt - Ithaca, NY

with The Falconers & Sammus

Dec 27

Dec 27

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $10-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


This all original, female-fronted, five-piece moxy rock band from Ithaca, NY is driving hard at bigger things and has been busy building an airtight justification for all the buzz surrounding it, both in its hometown and throughout the region. The band gets better and better, with its solid-as-a-rock rhythm section, eclectic library of vintage keyboard sounds, bold and inventive electric guitar stylings, electrifying lead vocals from force of nature Maddy Walsh who continues to reach new heights at every show, and uplifting, infectious songs that leave audiences humming. The group has matured at an incredible rate, but its members all attest that the recent recognition they’ve garnered comes not from luck but from some seriously hard work. “We put in have a lot of hours together,” says lead guitarist and co-founder Mike Suave. “We’re lucky to have a group of such dedicated people working toward a common goal and all thinking about the future.” It’s the dedication to consistently writing new material and rehearsing it and the shared love of the music the band members make together that continues to propel The Blind Spots forward and set them apart. Since the release of their debut album, El Camino Dream [2010] and their followup EP, Small Stampede [2012], both tight and inspired collections that showcase the band’s energy and expansive creativity, The Blind Spots have played a handful of the northeast’s well-renowned clubs and have been invited to play at a number of summer festivals, including the Finger Lakes GrassRoots Festival of Music and Dance, Sterling Stage Folkfest, as well as at many colleges, including Cornell University, the University of Vermont, SUNY Brockport, and Elmira College to name a few. The band plans to embark on a much more rigorous touring schedule this fall. In a musical-minded town like Ithaca, virtually teeming with talented artists, The Blind Spots have really had to earn their notoriety. “It’s a great place to come from if you’re a serious musician,” says Walsh. “It’s a good training ground.” Ithaca serves now as a supportive springboard that allows The Blind Spots to catapult into new regions, and they plan to continue expanding their radius. The band is set to release their third album produced at Alex Perialas’s world class Pyramid Sound Studios with drummer, engineer, and producer Mike Parker at the helm. Keep an eye on The Blind Spots, as they are on their way to winning the hearts of new devotees.

The Haunt - Ithaca, NY

**Jimkata/Hotel Ithaca NYE Room Special: Need a hotel room for the night of the show?? Call The Hotel Ithaca (www.thehotelithaca.com - 607.272.1000) and mention Jimkata at The Haunt to receive a special rate!! A room with two queen beds is just $79.**

Dec 31

Dec 31

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $20-$25

Event Information

Jimkata’s innovative, fan-funded record Die Digital turned the heads of critics and musicians when it dropped in the Fall of 2012, solidifying the band’s reputation as forward-thinking artists to pay attention to. Jimkata’s refined electro-rock sound is one of a band that has found its voice after years of experimentation; It’s more indie rock than jam, and more 90′s electronica than modern day EDM; yet the five-piece appeals to each of these audiences. In the spirit of LCD Soundsystem, MGMT and Talking Heads, Jimkata’s relevant, quotable lyrics create moods not just for fleeting moments, but for the lifestyle of an entire generation. Following the release of their first live record 10 More Songs! (2013), Jimkata is poised to unveil their third studio EP and sixth official release Feel In Light on 3.4.14. Recorded with Die Digital producer Jocko Randall at his MoreSound Studios in Syracuse, NY Feel In Light represents the continued evolution of this modern rock band’s sound - one which will be simpler in essence – exploring themes of love, triumph and appreciating second chances in life. A staple of the festival circuit from the Rockies to the Atlantic, Jimkata’s 2013 schedule included heavy hitters like Gathering of The Vibes, Summer Camp, Catskill Chill and Rootwire, on top of hosting their very own inaugural festival, Katalyst. Fans can catch the band this winter on their extensive national tour taking them up and down the east coast and to Colorado.

The Dock - Ithaca, NY

Jan 25

Jan 25

Doors open at 7:00 pm Starts at 8:00 pm Ages 18+ Only

Price: $12-$15

Event Information

Fiercely independent road warriors Wild Child, an “indie powerhouse,” has spent the past year stepping into that spotlight, playing stages as major as Austin City Limits Music Festival, Wakarusa, Firefly Music Festival, Bonnaroo, Osheaga, and Savannah Stopover. Behind their second album, The Runaround, the premiere release on Ben Kweller’s Noise Company label, the Austin six piece earned NPR’s Top Ten Songs of 2013 honors for the song “Living Tree,” and saw five additional songs hit number 1 on Hype Machine’s Popular chart. Their Spotify, Soundcloud, and YouTube streams have eclipsed ten million listens, and they’ve appeared on NPR’s World Cafe and an airing of eTown Radio. The lead single from The Runaround, “Crazy Bird,” debuted on Specialty Radio at number one fueled by an electrifying performance on The Late Late Show With Craig Ferguson. Together since 2010, the band has been hailed as one of the top acts in music-rich Austin since the release of debut album Pillow Talk; their mix of folk, pop, and gypsy melodies make them sound like little else. Kelsey Wilson has “the voice of a Jazz Age Broadway baby,” writes NPR, “all coos and hiccups and shivers.” Among unanimously illustrious praise from the likes of Paste Magazine, Relix Magazine, The Chicago Tribune, Indie Shuffle, The Austin Chronicle, and American Songwriter, the Austin American­Statesman has anointed Wild Child as “Austin’s next national breakout act.” Countless sold-out shows across the US suggest that that foretold future may in fact already be upon us. Incorporating violin, ukulele, cello, piano, bass, banjo, and horns in ways that few bands could conceive of today, Wild Child has broken through as one of the preeminent bands in one of the most storied music cities in the world, winning back-to-back honors as the city’s Best Indie Band at the Austin Music Awards. “Music defines us,” says Wild Child’s co-frontman Alexander Beggins. “We get up every day to stomp, clap, whoop, holler, and dance with our family on stage and our friends in the crowd. We’re always looking for ways to expand our sound and push our boundaries musically, and we’re always looking for the next thing, the next sound, the next song. But in the meantime, it just blows our mind to stand on stage and look out into the crowd and see people singing along.”

- Upcoming Highlights -

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- Spotlight Artists -

- Just Announced -

Feb 10

State Theatre of Ithaca - Ithaca, NY

Mar 6

The Haunt - Ithaca, NY

with Little Daylight and Secret Someones

Mar 13

State Theatre of Ithaca - Ithaca, NY

Apr 11

The Hangar Theatre - Ithaca, NY

May 3

The Hangar Theatre - Ithaca, NY

- Social Updates -

Peelander-Z "Taco Taco Tacos"

Music video for Peelander-Z "Taco Taco Tacos" from the Chicken Ranch Records album "P-TV-Z". Directed by Michael Dickinson and Carol He, videography by Ferna...

Ready for the wildest show of the year? Come see Peelander-Z at The Haunt Dec 4 You will be talking about this show until Christmas of longer.

CornellConcerts.com

cornellconcerts.universitytickets.com

Concerts Contact: concert@cornell.edu&nbsp |&nbsp Slope Day Contact: slopeday@cornell.edu &nbsp | &nbsp CUPB Contact: cupb@cornell.edu Financial transactions secured with 2048bit SSL. Powered by UniversityTickets

Cornell Concert Commission and DSP are stoked to be working together to bring you 2 big shows this spring! 2/10 The New Pornographers play the State Theatre of Ithaca 4/10 OK Go also at the State Cornell students may purchase tickets at a discount right here for BOTH SHOWS! For example NP tix are $15 instead of $25!!! Thanks CCC!!!

Donna the Buffalo - full set - DSO Jubilee Legend Valley OH 5-25-14 HD tripod

Donna the Buffalo performs their full set at the annual Dark Star Orchestra Jubilee at Legend Valley in Thornville, OH on May 25, 2014. Tara Nevins - vocals,...

Donna the Buffalo of course headline their own Finger Lakes GrassRoots Festival of Music and Dance and play many times throughout though they rarely if ever play Ithaca the rest of the year - This December 5 is a special treat as they share the stage with Jorma Kaukonen and Hot Tuna electric at the State Theatre of Ithaca - The last BIG ROCK SHOW at the theater this season. Please come celebrate local favorites and legendary Rock and Roll Hall of Fame + Museum 'ers right here on State Street!

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P.O. BOX 736
Ithaca, NY 14851