UPCOMING EVENTS

The Haunt - Ithaca, NY

with The Falconers & Sammus

Dec 27

Dec 27

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $10-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


This all original, female-fronted, five-piece moxy rock band from Ithaca, NY is driving hard at bigger things and has been busy building an airtight justification for all the buzz surrounding it, both in its hometown and throughout the region. The band gets better and better, with its solid-as-a-rock rhythm section, eclectic library of vintage keyboard sounds, bold and inventive electric guitar stylings, electrifying lead vocals from force of nature Maddy Walsh who continues to reach new heights at every show, and uplifting, infectious songs that leave audiences humming. The group has matured at an incredible rate, but its members all attest that the recent recognition they’ve garnered comes not from luck but from some seriously hard work. “We put in have a lot of hours together,” says lead guitarist and co-founder Mike Suave. “We’re lucky to have a group of such dedicated people working toward a common goal and all thinking about the future.” It’s the dedication to consistently writing new material and rehearsing it and the shared love of the music the band members make together that continues to propel The Blind Spots forward and set them apart. Since the release of their debut album, El Camino Dream [2010] and their followup EP, Small Stampede [2012], both tight and inspired collections that showcase the band’s energy and expansive creativity, The Blind Spots have played a handful of the northeast’s well-renowned clubs and have been invited to play at a number of summer festivals, including the Finger Lakes GrassRoots Festival of Music and Dance, Sterling Stage Folkfest, as well as at many colleges, including Cornell University, the University of Vermont, SUNY Brockport, and Elmira College to name a few. The band plans to embark on a much more rigorous touring schedule this fall. In a musical-minded town like Ithaca, virtually teeming with talented artists, The Blind Spots have really had to earn their notoriety. “It’s a great place to come from if you’re a serious musician,” says Walsh. “It’s a good training ground.” Ithaca serves now as a supportive springboard that allows The Blind Spots to catapult into new regions, and they plan to continue expanding their radius. The band is set to release their third album produced at Alex Perialas’s world class Pyramid Sound Studios with drummer, engineer, and producer Mike Parker at the helm. Keep an eye on The Blind Spots, as they are on their way to winning the hearts of new devotees.

The Haunt - Ithaca, NY

**Jimkata/Hotel Ithaca NYE Room Special: Need a hotel room for the night of the show?? Call The Hotel Ithaca (www.thehotelithaca.com - 607.272.1000) and mention Jimkata at The Haunt to receive a special rate!! A room with two queen beds is just $79.**

Dec 31

Dec 31

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $20-$25

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Jimkata’s innovative, fan-funded record Die Digital turned the heads of critics and musicians when it dropped in the Fall of 2012, solidifying the band’s reputation as forward-thinking artists to pay attention to. Jimkata’s refined electro-rock sound is one of a band that has found its voice after years of experimentation; It’s more indie rock than jam, and more 90′s electronica than modern day EDM; yet the five-piece appeals to each of these audiences. In the spirit of LCD Soundsystem, MGMT and Talking Heads, Jimkata’s relevant, quotable lyrics create moods not just for fleeting moments, but for the lifestyle of an entire generation. Following the release of their first live record 10 More Songs! (2013), Jimkata is poised to unveil their third studio EP and sixth official release Feel In Light on 3.4.14. Recorded with Die Digital producer Jocko Randall at his MoreSound Studios in Syracuse, NY Feel In Light represents the continued evolution of this modern rock band’s sound - one which will be simpler in essence – exploring themes of love, triumph and appreciating second chances in life. A staple of the festival circuit from the Rockies to the Atlantic, Jimkata’s 2013 schedule included heavy hitters like Gathering of The Vibes, Summer Camp, Catskill Chill and Rootwire, on top of hosting their very own inaugural festival, Katalyst. Fans can catch the band this winter on their extensive national tour taking them up and down the east coast and to Colorado.

The Dock - Ithaca, NY

with Black Castle

Dec 31

Dec 31

Doors open at 9:00 pm Starts at 10:00 pm Ages 18+ Only

Price: $17-$20

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Since their inception over 10 years ago, the Sim Redmond Band has been steadily on the rise, forging new ground in roots music. Traveling around the globe, playing with the likes of moe., the Neville Brothers, the Wailers, Jimmy Cliff, and Habib Koite, in some of the most beautiful venues in the U.S. and Japan, the world has taken notice. With 6 tours of Japan under their belt, SRB's unique blend of roots-rock, Afro-Carribean, and reggae music continues to spread like wild fire. They are based in Ithaca, NY but their magnetic pole is Africa, particularly the sounds eminating from West & South Africa. This magnetic pole has served as a pivot for the Sim Redmond Band to spring into straight rock grooves and pumping reggae. The vocal teamwork of Sim Redmond, Jen Middaugh, and Nate Silas Richardson creates some of the richest harmonies you'll ever hear.

The Dock - Ithaca, NY

with Pearl and the Beard

Jan 25

Jan 25

Doors open at 7:00 pm Starts at 8:00 pm Ages 18+ Only

Price: $12-$15

Event Information

Fiercely independent road warriors Wild Child, an “indie powerhouse,” has spent the past year stepping into that spotlight, playing stages as major as Austin City Limits Music Festival, Wakarusa, Firefly Music Festival, Bonnaroo, Osheaga, and Savannah Stopover. Behind their second album, The Runaround, the premiere release on Ben Kweller’s Noise Company label, the Austin six piece earned NPR’s Top Ten Songs of 2013 honors for the song “Living Tree,” and saw five additional songs hit number 1 on Hype Machine’s Popular chart. Their Spotify, Soundcloud, and YouTube streams have eclipsed ten million listens, and they’ve appeared on NPR’s World Cafe and an airing of eTown Radio. The lead single from The Runaround, “Crazy Bird,” debuted on Specialty Radio at number one fueled by an electrifying performance on The Late Late Show With Craig Ferguson. Together since 2010, the band has been hailed as one of the top acts in music-rich Austin since the release of debut album Pillow Talk; their mix of folk, pop, and gypsy melodies make them sound like little else. Kelsey Wilson has “the voice of a Jazz Age Broadway baby,” writes NPR, “all coos and hiccups and shivers.” Among unanimously illustrious praise from the likes of Paste Magazine, Relix Magazine, The Chicago Tribune, Indie Shuffle, The Austin Chronicle, and American Songwriter, the Austin American­Statesman has anointed Wild Child as “Austin’s next national breakout act.” Countless sold-out shows across the US suggest that that foretold future may in fact already be upon us. Incorporating violin, ukulele, cello, piano, bass, banjo, and horns in ways that few bands could conceive of today, Wild Child has broken through as one of the preeminent bands in one of the most storied music cities in the world, winning back-to-back honors as the city’s Best Indie Band at the Austin Music Awards. “Music defines us,” says Wild Child’s co-frontman Alexander Beggins. “We get up every day to stomp, clap, whoop, holler, and dance with our family on stage and our friends in the crowd. We’re always looking for ways to expand our sound and push our boundaries musically, and we’re always looking for the next thing, the next sound, the next song. But in the meantime, it just blows our mind to stand on stage and look out into the crowd and see people singing along.”

The Haunt - Ithaca, NY

with Thousands of One

Feb 6

Feb 6

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


 


The well-worn and often overblown expression “music is a common language” has never been more apropos in the case of Joe Driscoll & Sekou Kouyate. US-born, England-based Driscoll speaks no French and Kouyate, who hails from the West African country of Guinea, little English. When they were brought together at the Nuit Metis (Mixed Night) festival in Marseille, France in 2010 and given a week to produce a concert, music was the only way they could communicate. It turns out, they had a lot to “talk” about, and their first meeting sparked a collaboration that led to the formation of a band, the recording of an album, over 120 concert dates across Europe and rave reviews. Driscoll contributes the rapping, looping, beatboxing and songwriting talents he developed growing up in Syracuse, New York and during his own successful recording career. Kouyate, already a phenomenon in African music circles, has blown minds and ears with his hypersonic electrified riffs on the kora, bringing the exalted West African harp into the 21st Century with use of distortion peddles, effects and previously-unimagined technical prowess. Together, Driscoll and Kouyate blend hip-hop, spoken word, funk, and soulful, accessible rock with Afrobeat, reggae and irrepressible African grooves. Sekou Kouyate was raised in a respected and accomplished musical family in Conakry, Guinea. Trained in the ancient traditions of his instrument, it is his ability to transcend and build upon those traditions that has set him apart. In France, he is known as the ‘Jimi Hendrix of the kora’ because of his unique style of playing with various effects, in a variety of genres, and with an extreme intensity. Kouyate has toured the world over as a member of the Ba Cissoko band, comprised of his cousin and brothers. Joe Driscoll, whom Cee-Lo Green labelled “the gangsta with an iron lung,” has been touring steadily for years, spreading his unique fusion of folk and hip-hop. The modern day take on the one man band, he uses live looping to create soundscapes full of beatbox, guitar, harmonica, percussion, harmonica, and just about anything else he can make use of. Now living in Bristol, England, Driscoll has performed his ground breaking solo show at the famed Glastonbury Festival, Electric Picnic in Ireland, and hundreds of major stages worldwide. By teaming up, Driscoll and Kouyate have created a sum that exceeds even the large whole of its individual parts. According to Driscoll, “We’ve been raised in very different cultures in so many ways, but we share a lot of the same interests musically. Sekou was raised in the African rhythm and traditions, yet has always had a passion for reggae, hip-hop. I’m kind of the other way around. At the heart of it, we both just make the noises we love; we listen to each other, and try to flow in harmony. I think we just bounced off each other in so many ways: rhythmically, melodically, with craftsmanship. Through this, we found we had a language between us and that philosophically we were on a lot of the same pages as well.” With plans already in the works to record a follow-up album, Joe Driscoll and Sekou Kouyate have discovered that music speaks louder than words.

The Dock - Ithaca, NY

Feb 6

Feb 6

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $12-$15

Event Information

After 5 years, 400+ shows, and four award-winning albums, New Jersey-based 21 year-old singer/songwriter Quincy Mumford released his 5th album “Its Only Change” in July 2013. Its Only Change was recorded in Nashville, TN with producer Ken Coomer (Wilco, Uncle Tupelo) and features performances from Jerry Roe (K.D. Lang), David Labruyere (John Mayer) and Aubrey Freed (Black Crowes, Sheryl Crow). Producer Ken Coomer, states, “Quincy Mumford is a true artist that can bring raw 70′s style rock and funk highlighted with the voice of an old soul, it’s a perfect blend.” Its Only Change displays many different emotions and musical styling’s including rock, soul, jazz, funk and hip-hop. States Quincy, “This record is like nothing I have ever done before. For the first time, I was able to mesh all of my influences into one complete piece of work.” Several different life changing experiences during the past year have provided Quincy with an array of lyrical content to complement the expansive sonic approach to Its Only Change. Its Only Change opens with “Change”, the final song written for the album completed during pre-production in Nashville with Coomer. The album title draws from the song name and speaks towards a new musical direction for Quincy and the band. “Time Won’t Wait” explores a young man’s struggle with accepting reality and features an emotionally charged refrain with heavy jazz/R&B inspired verses. “Under the Covers” funky bass and driving drum beat draw the listener in and “Eventually”, an introspective ballad, speaks to a need for a simpler life. “A Hard Place”, the first single on the album, is a bouncy, energetic reggae inspired metaphor for feeling small in this world. Quincy Mumford & The Reason Why’s 2012 release “Live At The Saint” captures the band’s live sound featuring songs from Quincy’s three previous studio albums. Quincy states, “after recording Live at the Saint, I was ready to take on a new challenge” as evidenced on Its Only Change. The Live at The Saint DVD includes footage from the concert shot on multiple cameras, interviews with the band, scenic cinematography and a documentary featuring Quincy and the band members’ musical getaway and adventures in the mountains of Vermont. The film was directed, edited, and filmed by Quincy’s award winning brother, Kyle Mumford, and his Lifted Pictures’ film crew. Quincy and The Reason Why are excited to continue their tireless performance schedule and are set to headline a 6-week US tour in the summer of 2014 playing over 40 shows from June 28th to August 10th. Mumford’s previous tours which has found him sharing the stage with Slightly Stoopid, Rusted Root, moe., Donovan Frankenreiter, Tedeschi Trucks Band and performing at major music festivals The Gathering of the Vibes and Musikfest. Quincy and the band also volunteer their time for The Surfrider Foundation and hold other environmental causes close to their collective hearts. Optimistic, charismatic, and undeniably genuine, Quincy’s music possesses the same “feel good” attitude that the young man himself does. Its Only Change establishes Quincy Mumford and The Reason Why as a “Band to Watch” in 2014.

The Haunt - Ithaca, NY

with Mount Carmel

Feb 7

Feb 7

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $10-$13

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Unexplained phenomena of all kinds can be attributed to magic. Music is among those marvels. When a group of unrelated individuals of different backgrounds gets together and locks into a sonic unity, there must be some sort of mysticism at work. That’s the only way to properly explain it. The members of Nashville’s All Them Witches would agree too. That energy even courses through their moniker, which unsurprisingly comes from Roman Polanski’s 1968 masterpiece Rosemary’s Baby. “The name can be interpreted in many different ways,” explains singer and bassist Michael Parks, Jr. “It could be a person’s view on what the forces of good and evil are or even how we interact with each other as human beings. There’s a little bit of witchcraft in everybody’s life. Just waking up is pretty magical—you’re alive another day. In terms of the music, we’re so loose, and that’s where the magic comes from. There’s no controlling factor. We do exactly what comes naturally. We go in a room without any idea about what will happen, get in the groove, and it works. That’s supernatural.” All Them Witches began conjuring up music together in 2012. Foregoing theater school to focus on songwriting, Parks traded New Mexico for Nashville at 19-years-old. The Shreveport, Louisiana native met drummer Robby Staebler while the two shared a shift at a “corporate hippie store”. Robby showed Parks some music he and guitarist Ben McLeod had written, and it inspired the singer to jam—which he adds, “I usually never do. It made sense though”. Adding Robby’s longtime friend Allan Van Cleave to the fold on Fender Rhodes, All Them Witches cut their debut Our Mother Electricity. Almost immediately after, they began working on its follow-up 2013’s Lightning At The Door. Recorded live in a matter of days with producer and engineer Andy Putnam, the boys tapped into a distinct energy, mustering bluesy soul, Southern swagger, and thunderous hard rock all at once. “We tracked everything live in the same room,” says Parks. “We got a lot of bleed from the mics and the amps being together. Everything felt organic. You get us untainted on the record.” The first single “When God Comes Back” swings from a Delta-dipped groove into a striking riff juxtaposed with Parks’ transfixing delivery. It’s as hypnotic as it is heavy. “Sometimes, I get visions, for lack of a better word, that lead to songs,” the frontman admits. “I’ll be doing a mundane task at work, walking somewhere in the woods, or driving, and I’ll get these narrative flashes in my head. Personal experiences play into those narratives. This song is about our egos coming to break us down and destroy everything. We try to govern each other and turn the only landscape we have to live in into a parking lot. There’s no room for anybody. So, when God comes back, he’s going to be really mad.” Elsewhere on the album, one story connects the expansive and entrancing “The Marriage of Coyote Woman” and “The Death of Coyote Woman”. The tracks twirl through rustic instrumentation and muscular distortion before building into a wild climax. “It’s a two-part song that follows one character in my brain that has its own trials and tribulations to go through,” Parks goes on. “It also discusses how and where I grew up. It’s a hodgepodge, and the lyrics and music just came to me while I was driving.” Given their powerful and potent psychedelic sound, All Them Witches has shared the stage with everybody from punk luminaries Broncho to the buzzing Windhand. They’ve also rocked at WRLT's weekly live series "Nashville Sunset", played the station's Live On The Green and appeared at the Scion Rock Fest. “We can take so many different paths,” he adds. “The music is ever-shifting. None of us grew up listening to the same music. In Louisiana, I heard a lot of ZZ Top and Blues band. Allan was raised on classical, almost exclusively. Robby and Ben listened to a ton of Pink Floyd and Led Zeppelin. When we came together, it simply works.” Ultimately, everything comes back to that certain magic for All Them Witches. “Not to sound too much like hippie, but I hope everybody can ride our vibe,” Parks leaves off. “We’re very simple people doing something we really love. We have such a short amount of time on this earth. Everybody should be doing what they love. If there’s a message here, it’s that.”

State Theatre of Ithaca - Ithaca, NY

Feb 10

Feb 10

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

The New Pornographers' sixth album, Brill Bruisers, has a name that brings multiple connotations to mind, all of them apt, since band founder A.C. Newman acknowledges liking "titles that, in my mind, could have five different meanings." But you wouldn't steer yourself wrong if you gathered from the name that what you are about to hear will be both brainy and pugilistic. If you could put a face on an album title, this one might be represented by a boxer's mug with a monocle. A reference to "brilliant bruisers" occurs in what became the title track, "and it was shortening it to 'brill' which made me think of the whole Brill Building connotation," Newman says. "Even though I hesitate to give it any exact meaning, I like the idea that it's bruising songs in the style of the Brill Building," the legendary office tower where the greatest pop songwriters of the 1960s pumped out their classics. "Or, it makes sense as just short for brilliant. The whole idea of being a brilliant bruiser–isn't that what everybody ultimately strives for, or what a person needs to succeed in this world? To be really intelligent and really strong at the same time? It just seemed to match this group of songs somehow." This is a set of bruisers four years in the making, as several of the collective's more prominent members have been otherwise occupied by their day jobs, or moonlighting. Newman issued a solo album last year, while Dan Bejar found acclaim with another record with his other band, Destroyer; Neko Case was doing her usual under-her-own-name world conquering. Yet the promise of New Pornography continues to bring these disparate talents together just as it has since the first album they made back in 2000, Mass Romantic–a then-lark that now shows up on so many lists of the best albums of the 20th century, it borders on counting as classic rock. Newman has learned to not resist the terms that writers have always applied to the Pornographers to reflect the unusual nature of the lineup. "The irony is that as the years go on, these things become less true and more true," he laughs. "We weren't a 'supergroup' at the beginning, but now we arguably are. The band means different things for different people. For Dan and Neko, it's a side project. For me, ironically, it's a career, and my solo career is just something I dabble in. But who else has all these people in the band? Look at us. When you consider that Neko's as popular as she's ever been and Dan's coming off Kaputt, the biggest Destroyer record yet, it's like: Yeah, we're a fucking supergroup!" Mantle accepted. On Brill Bruisers, bassist/producer John Collins returns to the co-pilot's chair that he inhabited on the Pornographers' first three albums. The band's last couple of recordings, made without Collins as primary producer, had slowed down a bit from their original indie-power-pop ethos, and Newman's latest solo album went for "a Glen Campbell vibe." Having gotten the singer/songwriter stuff somewhat out of his system, Newman decreed early in the going that this Pornographers album needed to be "shinier and faster." To that end, a couple of very specific touchstones were invoked. "Before we started the record, I was talking to Dan and I remember saying, 'Yeah, I want to go with a slight Sigue Sigue Sputnik vibe.' I think he took me very literally on that," Newman chuckles. "So he sped up all of his songs quite a bit. And I had to speed up my songs as well, because I thought 'My songs can't be slow when his are so fast!' So that Sigue Sigue Sputnik comment really served its purpose." That covers the "faster" part, but what about the "shinier"? "We were going for 'Xanadu'," Newman says. Just in case there's any doubt, he is not alluding to Citizen Kane but directly referencing, yes, the roller-disco movie to which ELO contributed much of the soundtrack. Brill Bruisers doesn't just draw inspiration from Jeff Lynne's genius in general but from the synth sounds of a very specific two- or three-year period in that group's career. "It's basically Discovery, Xanadu, Electric Dreams ELO pretty much," he allows. "There are a lot of influences that I try and avoid when they come up, but that's not one of them. If something sounds like ELO, I think, yes, let's do this! It feels like everybody's influenced by the same bands nowadays, but if you're going to be influenced by early Depeche Mode, why not just move over and be influenced by early '80s ELO?" But maybe think Secret Messages meets Surfer Rosa, because there's a deep and propulsive core almost constantly thundering away under those celestial flourishes. "On this record, I think what we wanted to do was bridge the gap between a sort of late '70s/early '80s ELO synth-pop and just being a rock band. I thought, why can't we have these arpeggiators swirling but at the same time be a driving rock band with loud guitars? That was one spot where I felt: this is a space that we can currently inhabit in rock music, because there's nobody else doing this." It wasn't just a matter of picking up vintage keyboard sounds, but also using all the modern technology and apps at their disposal. "Not that we're trying to make EDM, but we've never been afraid to use as much modern technology as possible. So there are a lot of loud sections in songs like "Champions of Red Wine" and "Dance Hall Domine" that have very chopped-up sounds. I think of taking a sample of a men's choir and chopping it up with a square-wave tremolo... and really embracing the artificiality of those sounds. But at the heart of it, there's nothing artificial about the band that's playing it. It's real bass, real drums, real guitars." And real sentiments. Newman didn't necessarily want to get as introspective on Brill Bruisers as he was on his last solo album, 2012's Shut Down the Streets, where he dealt with the death of his mother and birth of his son. But personal concerns inevitably snuck in anyhow. "Wide Eyes" is "definitely a song about my son. Though it's not sung in a very, very literal way, that song is about how he changed my life." "Fantasy Fools" also deals with the transition from young man to family man. "Not that I feel like an old man, but you can't help, when you get in your 40s and all of a sudden you have a family, to start thinking about whether there are ways of growing older correctly." Newman was able to keep a work/family balance by making most of the album over a period of two years at his home studio in Woodstock, with Collins frequently flying in for long stays to work on the production as a duo, much as they did when they made the first three albums in the band's original home base of Vancouver. A certain amount of travel still figured in, "chasing Neko around" to Texas and Vermont, and heading back to Canada for much of the work involving the three songs written and sung by Bejar as well as contributions from drummer Kurt Dahle. The result, arrived at with some sense of leisure to get it right, "is stylistically as close as we can get to what I think I've always imagined us being," says Newman. I feel like what we did on this has always been in the back of my mind, even from the first record, but we just never did it, like using all the arpeggiators and adding that spacy synth element. It just never seemed right before, and with this record, it completely did. I feel more confident about this record than I've ever felt about anything before. My reaction to somebody not liking this record is 'Well, I don't know what else to do!'"

State Theatre of Ithaca - Ithaca, NY

Feb 14

Feb 14

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

Ira Glass is the host and creator of the public radio program This American Life. The show premiered on Chicago’s public radio station WBEZ in 1995 and is now heard on more than 500 public radio stations each week by over 1.7 million listeners. Most weeks, the podcast of the program is the most popular podcast in America. The show also airs each week on the CBC in Canada and on the Australian Broadcasting Corporation’s radio network.

Glass began his career as an intern at National Public Radio’s network headquarters in Washington, DC in 1978, when he was 19 years old. Over the years, he worked on nearly every NPR network news program and held virtually every production job in NPR’s Washington headquarters. He has been a tape cutter, newscast writer, desk assistant, editor, and producer. He has filled in as host of Talk of the Nation and Weekend All Things Considered.

Under Glass’s editorial direction, This American Life has won the highest honors for broadcasting and journalistic excellence, including several Peabody and DuPont-Columbia awards. The American Journalism Review declared that the show is “at the vanguard of a journalistic revolution.”

A television adaptation of This Ameri-
can Life ran on the Showtime network for two seasons, in 2007 and 2008, winning three Emmy awards, including Outstanding Nonfiction Series. The show has put out its own comic book, three greatest hits compilations, DVDs of live shows and other events, a “radio decoder” toy, temporary tattoos and a paint-by-numbers set. Half a dozen stories are in development to become feature films. In 2013 Ira Glass received the Medal for Spoken Language from the American Academy of Arts & Letters.

Glass is married and owns a disturbingly allergic dog

The Haunt - Ithaca, NY

Feb 20

Feb 20

Doors open at 8:00 pm Starts at 9:00 pm Ages 16+ Only

Price: $12-$15

Event Information

Age policy: 16+ with ID / under 16 with a parent or guardian


Internal Sounds, the anticipated new album from The Sadies, will be released September 17 on Yep Roc Records. In advance of the release, the new song “Another Tomorrow Again,” which American Songwriter describes as “…the perfect teaser for the album,” can be heard here: http://www.americansongwriter.com/2013/07/song-premiere-the-sadies-another-tomorrow-again/. Additionally, the album’s lead track, “The First 5 Minutes,” can be heard here: https://soundcloud.com/outside-music/the-sadies-the-first-5-minutes. In celebration of the album, The Sadies are currently in the midst of a Canadian tour; please see below for a list of dates. Recorded in Toronto, the 11-track album was produced by The Sadies’ Dallas Good (guitars, organ, vocals) and mixed by Peter J. Moore. In addition to Good, the album features band members Travis Good (guitars, fiddle, vocals), Sean Dean (bass) and Mike Belitsky (drums). Of the experience, Dallas Good comments, “There was a conscious effort to deliver a finished product that wouldn’t suffer from a deadline or budget. We recorded this record over a span of a year, in session for 20-plus days. By the end, we’d spent every dime we had and used up every favor. There is usually a sense of immediacy to our records, maybe because we make a lot of them. I didn’t want that this time.” Formed in Toronto in 1994, the band has released 16 studio albums, including 2010’s Darker Circles, which the A.V. Club describes as, “…full of strong melodies, beautiful guitars, and the ghosts of a unsettled past” and which Under The Radar praises as, “…twangingly irresistible guitar interplay.” Additional recordings include Precious Moments (1998), Pure Diamond Gold (1999), Tremendous Efforts (2001), Stories Often Told (2002), Favourite Colours (2004), In Concert Volume One (2006), Tales of the Rat Fink (2006) and New Seasons (2007). They have also released two albums with Andre Williams (1999’s Red Dirt and 2012’s Night and Day), an album with Jon Langford (2003’s Mayors of the Moon), an album with Neko Case (2004’s The Tigers Have Spoken) and an album with John Doe (2009’s Country Club). Country Club went on to chart on Billboard’s U.S. Country and Indie charts and reached #10 on the U.S. Heatseekers chart.

- Upcoming Highlights -

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- Spotlight Artists -

- Just Announced -

Feb 6

The Haunt - Ithaca, NY

with Thousands of One

Feb 6

The Dock - Ithaca, NY

Feb 10

State Theatre of Ithaca - Ithaca, NY

Feb 20

The Haunt - Ithaca, NY

Mar 6

The Haunt - Ithaca, NY

with Little Daylight and Secret Someones

Mar 13

State Theatre of Ithaca - Ithaca, NY

Jun 13

Brewery Ommegang - Cooperstown, NY

- Social Updates -

Last minute shopping eh? You can buy tickets right there at your computer! And they make great gifts! Something for everyone here at dansmallspresents.com

HUGE CONGRATS to @aykeyno on Instagram as the big winner. We put all your names who shared and posted on FB and IG into a random selector and Annie K came up - Message us to claim your prize - 2 tickets to EVERY SHOW at Brewery Ommegang this summer! And the rest of you - thanks for sharing and we can't wait to see you all at the shows this summer!

Today's the day - On sale at 10... If presale was any indication... ACT FAST! The Avett Brothers John Prine Brewery Ommegang June 13

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P.O. BOX 736
Ithaca, NY 14851